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Pen And Sword

Author: Mary S. Mander
Publisher: University of Illinois Press
ISBN: 0252090209
Size: 75.87 MB
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Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the U.S.'s major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation state to the free press and to the public. Pen and Sword: American War Correspondents, 1898-1975 situates war correspondence within the larger framework of the history of the printing press to make perceptive new points about the nature of journalism and censorship, the institution of the press as a source of organized dissent, and the relationship between the press and the military. Fostering a deeper understanding of the occupational culture of war correspondents who have accompanied soldiers into battle, Mander offers interpretive analysis of the reporters' search for meaning while embedded with troops in war-torn territories. Broadly encompassing the history of Western civilization and modern warfare, Pen and Sword prompts new ways of thinking about contemporary military conflicts and the future of journalism.

The Woman War Correspondent The U S Military And The Press

Author: Carolyn M. Edy
Publisher: Rowman & Littlefield
ISBN: 1498539289
Size: 24.51 MB
Format: PDF
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This study analyzes the experience of female war correspondents from the Mexican–American War through World War II. It examines how the concept of a “woman war correspondent” was constructed and the ways in which the press and the military both promoted and prevented their access to war.

Reporting The First World War In The Liminal Zone

Author: Sara Prieto
Publisher: Springer
ISBN: 3319685945
Size: 39.35 MB
Format: PDF, ePub, Docs
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This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.

Australian Women War Reporters

Author: Jeannine Baker
Publisher: NewSouth
ISBN: 1742242154
Size: 51.52 MB
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This is the hidden story of Australian and New Zealand women war reporters who fought for equality with their male colleagues and filed stories from the main conflicts of the twentieth century. In Australian Women War Reporters, Jeannine Baker provides a much-needed account of the pioneering women who reported from the biggest conflicts of the twentieth century. Two women covered the South African War at the turn of the century, and Louise Mack witnessed the fall of Antwerp in 1914. Others such Anne Matheson, Lorraine Stumm and Kate Webb wrote about momentous events including the rise of Nazism, the liberation of the concentration camps, the aftermath of the atomic bombing of Hiroshima and the Cold War conflicts in Korea and Southeast Asia. These women carved a path for new generations of female foreign correspondents who have built upon their legacy. Jeannine Baker deftly draws out the links between the experiences of these women and the contemporary realities faced by women journalists of war, including Monica Attard and Ginny Stein, allowing us to see both in a new light.

The Oxford Handbook Of Jack London

Author: Jay Williams
Publisher: Oxford University Press
ISBN: 0199315183
Size: 35.52 MB
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London's first-hand engagement with the world--the process of becoming and maintaining himself as a citizen of the world--helps define the kind of writing he produced. It is insufficient now to call him a naturalist writer if his principal concern was to reflect and represent, not the usual fare of violence and natural forces that we as literary theorists have used to periodize London's work, but rather something larger, more indeterminant, contemporary. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the sheer weight of the scholarship in this present volume that attests to this alternative designation gives it a thorough grounding that previous attempts lacked. London called his times the Machine Age, not just to underscore the rapidity of modern life and its new mechanization, but also to highlight the need for a new social and economic order. The purpose of this handbook is to honor him as a representative American writer of the age as he understood it.

Krieg Der Welten

Author: H.G. Wells
Publisher: Diogenes Verlag AG
ISBN: 3257609264
Size: 80.15 MB
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H. G. Wells schuf 1898 mit dem ›Krieg der Welten‹ den ersten Roman einer interplanetarischen Invasion, der das Vorbild zahlloser Marsmenschen-Märchen wurde. Orson Welles produzierte 1938 nach diesem SF-Klassiker das berühmteste Hörspiel aller Zeiten: obwohl als Hörspiel angekündigt, brach Panik aus, die Menschen verließen fluchtartig die Städte, weinten, beteten und glaubten an das Ende der Welt.

Krieg Als Medienereignis Ii

Author: Martin Löffelholz
Publisher: Springer-Verlag
ISBN: 332290833X
Size: 37.43 MB
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Das Buch ordnet die Beziehungen von Medien, Militär und Sicherheitspolitik historisch ein, bietet einen systematischen und international orientierten Forschungsüberblick sowie eine interdisziplinäre Analyse zentraler Problemfelder der Krisenkommunikation. Fallbeispielhaft vorgestellt werden darüber hinaus relevante Krisenkommunikations-Typen der Moderne - u.a. während des Krieges im Irak (2003), bei den Auseinandersetzungen in Afghanistan (2001) oder in den bürgerkriegsähnlichen Konflikten in Indonesien.