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Performance Studies In Motion

Author: Atay Citron
Publisher: A&C Black
ISBN: 140818575X
Size: 63.33 MB
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Performance Studies in Motion offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences. Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, Performance Studies in Motion showcases the vitality and breadth of the field today.

Dramaturgy In Motion

Author: Katherine Profeta
Publisher: University of Wisconsin Pres
ISBN: 0299305945
Size: 39.99 MB
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This groundbreaking book moves beyond the conventional association of dramaturgy with plays to consider the substance and process of dramaturgy for dance and movement performance. Focusing on text and language, research, audience, movement, and interculturalism, the author provides vivid, practical examples from her collaboration with renowned choreographer Ralph Lemon.

Motion Capture In Performance

Author: M. Delbridge
Publisher: Springer
ISBN: 1137505818
Size: 58.11 MB
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Motion Capture in Performance explores the historical origins, properties and implications of Motion Capture. It introduces a new mode of performance for the commercial film, animation, and console gaming industries - 'Performance Capture', a distinct interdisciplinary discourse in the fields of theatre, animation, performance studies and film.

Ritual Textuality

Author: Matt Tomlinson
Publisher: Oxford University Press
ISBN: 019934115X
Size: 13.76 MB
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A classic question in studies of ritual is how ritual performances achieve-or fail to achieve-their effects. In this pathbreaking book, Matt Tomlinson argues that participants condition their own expectations of ritual success by interactively creating distinct textual patterns of sequence, conjunction, contrast, and substitution. Drawing on long-term research in Fiji, Ritual Textuality presents in-depth studies of each of these patterns, taken from a wide range of settings: a fiery, soul-saving Pentecostal crusade; relaxed gatherings at which people drink the narcotic beverage kava; deathbeds at which missionaries eagerly await the signs of good Christians' "happy deaths"; and the monologic pronouncements of a military-led government determined to make the nation speak in a single voice. In each of these cases, Tomlinson also examines the broad ideologies of motion which frame participants' ritual actions, such as Pentecostals' beliefs that effective worship requires ecstatic movement like jumping, dancing, and clapping, and nineteenth-century missionaries' insistence that the journeys of the soul in the afterlife should follow a new path. By approaching ritual as an act of "entextualization"-in which the flow of discourse is turned into object-like texts-while analyzing the ways people expect words, things, and selves to move in performance, this book presents a new and compelling way to understand the efficacy of ritual action.

Digital Movement

Author: Nicolas Salazar Sutil
Publisher: Palgrave Macmillan
ISBN: 9781137430403
Size: 80.71 MB
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Digital Movement addresses the evolving ways in which movement and its technological mediation can inform creative thinking and embodied practices. In order to identify unique cross-disciplinary links within human movement research this book brings together experts from a number of creative disciplines including dance, theatre, sculpture, as well as computer and mathematical art, whilst offering an integration of scholarly perspectives from cultural, media and performance studies. Drawing also on historical and contemporary perspectives, the book argues that technology has become central to the way we understand and utilize movement material across a number of industries. Computer tools afford, amongst other things, customized ways to capture, sample, notate, animate, choreograph, visualize and sculpt movement. More importantly, computers also transform how we think about motion, or rather, how we think in motion—inviting us to do so collaboratively and holistically. Digital Movement shows that the technologization of human movement is a phenomenon that has the potential to have both enhancing and disturbing effects on our lives. This is an important study for all scholars and upper-level students of contemporary movement practice and performance.

The Cambridge Companion To Performance Studies

Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 9781139828185
Size: 13.61 MB
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Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.

Exhausting Dance

Author: Andre Lepecki
Publisher: Routledge
ISBN: 1134230893
Size: 18.26 MB
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The only scholarly book in English dedicated to recent European contemporary dance, Exhausting Dance: Performance and the Politics of Movement examines the work of key contemporary choreographers who have transformed the dance scene since the early 1990s in Europe and the US. Through their vivid and explicit dialogue with performance art, visual arts and critical theory from the past thirty years, this new generation of choreographers challenge our understanding of dance by exhausting the concept of movement. Their work demands to be read as performed extensions of the radical politics implied in performance art, in post-structuralist and critical theory, in post-colonial theory, and in critical race studies. In this far-ranging and exceptional study, Andre Lepecki brilliantly analyzes the work of the choreographers: * Jerome Bel (France) * Juan Dominguez (Spain) * Trisha Brown (US) * La Ribot (Spain) * Xavier Le Roy (France-Germany) * Vera Mantero (Portugal) and visual and performance artists: * Bruce Nauman (US) * William Pope.L (US). This book offers a significant and radical revision of the way we think about dance, arguing for the necessity of a renewed engagement between dance studies and experimental artistic and philosophical practices.

Cultural Struggles

Author: Dwight Conquergood
Publisher: University of Michigan Press
ISBN: 0472051954
Size: 78.62 MB
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Gathers the essential essays of Dwight Conquergood, performance studies scholar, ethnographer, and activist

Dance And Theory

Author: Gabriele Brandstetter
Publisher: transcript Verlag
ISBN: 3839421519
Size: 75.59 MB
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Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept? The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.

Music Dance

Author: Patrizia Veroli
Publisher: Routledge
ISBN: 1351986740
Size: 44.92 MB
Format: PDF
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Music-Dance explores the identity of the choreomusical work, its complex authorship, the cognitive processes involved in dance performance and its modes of reception. Scholars of dance and music analyse the ways in which the musical score changes its prescriptive status when becoming part of choreographic project, the encounter between sound and motion on stage and the intersection of listening and sight in the act of reception. As well as being of interest to musicologists considering issues such as notation, multimedia and the analysis of performance, this volume will also appeal to those interested in applied research in the field of cognition and neuroscience. The line-up of authors includes representative figures of today’s ‘choreomusicology’, dance historians, scholars of twentieth-century composition, and specialists in cognitive science and performance studies. Coverage includes: the relationships between sound and motion in dance performance; the notational practice of choreographers and the parallel attempts of composers to find a graphic representation for musical gestures; the experience of dance as a paradigm for a multimodal perception, which is investigated in terms of triggering emotions and specific forms of cognition; notation, multimedia and the analysis of performance.