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Portraits Of The Artist

Author: John E. Gedo
Publisher: Routledge
ISBN: 1135062099
Size: 53.66 MB
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Gedo's pathbreaking exploration of the psychology of creativity incorporates first-hand material drawn from his extensive clinical work with artists, musicians, and other exceptionally creative individuals. Using this body of clinical knowledge as conceptual anchorage, he then offers illuminating reassessments of the artistic productivity of van Gogh, Picasso, Gauguin, and Caravaggio, and the literary productivity of Nietzsche, Jung, and Freud.

The Psychology Of Art Appreciation

Author: Bjarne Sode Funch
Publisher: Museum Tusculanum Press
ISBN: 9788772894027
Size: 39.23 MB
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This book is more than an introduction to the psychology of art appreciation, it puts into perspective the research carried out within the area and offers a new understanding of the relationship between art and viewer. A number of studies within the psycho-physical, cognitive, psychoanalytic, and existential-phenomenological schools of thought are presented in order to demonstrate how their views on the appreciation of visual art vary. Five different types of art appreciation, ranging from a spontaneous preference for a work of art to a blissful experience of trancendence, are identified and described.

Creativity And Psychotic States In Exceptional People

Author: Murray Jackson
Publisher: Routledge
ISBN: 1317536886
Size: 22.78 MB
Format: PDF
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Creativity and Psychotic States in Exceptional People tells the story of the lives of four exceptionally gifted individuals: Vincent van Gogh, Vaslav Nijinsky, José Saramago and John Nash. Previously unpublished chapters by Murray Jackson are set in a contextual framework by Jeanne Magagna, revealing the wellspring of creativity in the subjects’ emotional experiences and delving into the nature of psychotic states which influence and impede the creative process. Jackson and Magagna aim to illustrate how psychoanalytic thinking can be relevant to people suffering from psychotic states of mind and provide understanding of the personalities of four exceptionally talented creative individuals. Present in the text are themes of loving and losing, mourning and manic states, creating as a process of repairing a sense of internal damage and the use of creativity to understand or run away from oneself. The book concludes with a glossary of useful psychoanalytic concepts. Creativity and Psychotic States in Exceptional People will be fascinating reading for psychiatrists, psychotherapists and psychoanalysts, other psychoanalytically informed professionals, students and anyone interested in the relationship between creativity and psychosis.


Author: Janet Lungstrum
Publisher: SUNY Press
ISBN: 9780791434123
Size: 44.29 MB
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Focuses on a very significant psycho-cultural concept (that of "agonistics" or "contestatory creativity") with ramifications in several areas of the postmodern debate: cultural philosophy, psychologies of race, gender and the body, and narratology.

The Artist The Emotional World

Author: John E. Gedo
Publisher: Columbia University Press
ISBN: 9780231078535
Size: 80.43 MB
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Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.


Author: Peter Gay
Publisher: Anchor
Size: 63.64 MB
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A thorough biographical portrait of a pivotal thinker and practitioner probes many aspects of Freud's life, including his family, his city, his professional challenges, and his innovative and controversial theories

Egon Schiele A Self In Creation

Author: Danielle Knafo
Size: 71.86 MB
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The haunting work of turn-of-the-century artist Egon Schiele continues to compel and shock viewers today. Living and painting in Austria during the decline of the Habsburg Empire and in the twilight of World War I, Schiele's image of man portrays the alienation and insecurity experienced at a time of decay and transition. Like his contemporary Sigmund Freud, Schiele probed the depths of human nature, and his graphic work is beginning to earn recognition as a major force in the evolution of modern art. As the first psychoanalytic book of Schiele's self-portraits, Egon Schiele: A Self in Creation represents an important contribution to the available literature on this fascinating artist. Dr. Danielle Knafo provides valuable new insights into Schiele's countless anguished self-images, and convincingly demonstrates how childhood traumas were both exhibited and mastered in his art. She also helps us understand the aesthetic appeal the spectator experiences in viewing Schiele's personal struggle and emotional turmoil. Dr. Knafo reconstructs the formative events in Schiele's early life by carefully studying his art, diaries, and correspondence, illustrating those events that were to become the primary determinants of the content and form of his art. She explains how a failed mirroring experience with his mother and family deaths, including that of his father from syphilis, profoundly influenced Schiele's body image and subsequent self-representation. He depicted his relationships to both parents in his art: reviving his father from the dead, he simultaneously killed his mother. Schiele wrote in 1911, "I want to tear into myself, so that I may create again, a new thing which I, in spite of myself, have perceived," Repeatedly and compulsively creating his artistic double, Schiele not only developed an unusually personal - even autobiographical - art form, but he also transformed his canvas into a mirror where he worked at defining himself. He used his self-portraits not only to express himself but also to create a self. Despite the continuous nature of his self-obsession, Dr. Knafo demonstrates that Schiele's self-portraits changed over time, reflecting alterations that took place in his psychic organization, particularly regarding the development of his sense of self and his object relationships. His self-portraits, therefore, display the emergence of an evolving self. They reveal his transformation from a solitary adolescent tormented by his sexuality and morbid fears of body damage and psychic dissolution into a man with an integrated character structure. An unfolding of his personality as well as an increasing maturity in his work is evident over time. Although Schiele's career was brutally truncated by his premature death at the age of twenty-eight, his oeuvre retains a sense of completeness and resolution, for it demonstrates his triumphant use of art for mastery in the quest for identity.