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Realism And Tinsel

Author: Robert Murphy
Publisher: Routledge
ISBN: 113490150X
Size: 10.45 MB
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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Histories On Screen

Author: Sam Edwards
Publisher: Bloomsbury Publishing
ISBN: 1474217060
Size: 19.16 MB
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How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.

America Through A British Lens

Author: James D. Stone
Publisher: McFarland
ISBN: 1476625565
Size: 26.34 MB
Format: PDF
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As the British watched their empire crumble, many British films depicted the danger and allure of American culture, reflecting a common belief that the United States--the newly dominant world power--could be reckless and irreverent. As social mobility became more common in British life, Americans on screen were portrayed as crude, outspoken and ambitious. Yet the same films that portrayed the U.S. as an agent of chaos also suggested Britons might do well to embrace American-style energy and egalitarianism. Movies like Love Actually, The Quatermass Xperiment, 28 Weeks Later, Local Hero and Alfred Hitchcock's The Secret Agent have delved into the storied "special relationship" between the U.S. and U.K. These films and many more are examined this first book-length study of British movies about America, revealing much about British attitudes regarding power, gender, class, sexuality and emotion.

Realism And Tinsel

Author: Robert Murphy
Publisher: Psychology Press
ISBN: 9780415076845
Size: 71.49 MB
Format: PDF
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First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Columbus

Author: Raphael Sabatini
Publisher: House of Stratus
ISBN: 075515276X
Size: 17.71 MB
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Set at the time of the discovery of the New World, this is the remarkable story of Columbus’ affair with the mysterious Beatriz Enriquez. Sabatini beautifully traces the course of their romance and the child that she bore him whilst also capturing all the passion of Columbus’s other struggle – against none other than the King and Queen of Spain.

The Hidden Cinema

Author: Dr James C Robertson
Publisher: Routledge
ISBN: 1134876718
Size: 55.45 MB
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How does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clockwork Orange - some of which have now vanished from British screens altogether. This edition includes a brand new section on Bernardo Bertolucci's Last Tango in Paris, immediately engulfed in censorship wrangles on its release in 1972.

The British Working Class In Postwar Film

Author: Philip Gillett
Publisher: Manchester University Press
ISBN: 9780719062582
Size: 33.38 MB
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This book uses a sociological model to examine how working class people are portrayed in British feature films from the decade after World War II.

Author:
Publisher: Springer
ISBN: 3476036863
Size: 60.30 MB
Format: PDF, ePub
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