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Screen Saviors

Author: Hernan Vera
Publisher: Rowman & Littlefield
ISBN: 9780847699476
Size: 30.95 MB
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Screen Saviors studies how the self of whites is imagined in Hollywood movies by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical "white studies," offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color. The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. Among these are some films about the Civil War Birth of a Nation, Gone with the Wind, and Glory; some about white messiahs who rescue people of another color Stargate, To Kill a Mockingbird, Mississippi Burning, Three Kings, and The Matrix; the three versions of Mutiny on the Bounty (1935, 1962, and 1984) and interracial romance Guess Who's Coming to Dinner. Forty years of Hollywood fantasies of interracial harmony, from The Defiant Ones and In the Heat of the Night through the Lethal Weapon series and Men in Black are examined. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of com"

Empire Of Dreams

Author: Andrew Gordon
Publisher: Rowman & Littlefield
ISBN: 9780742555785
Size: 12.38 MB
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Empire of Dreams is the first definitive look at all of the science fiction, fantasy, and horror films directed by Steven Spielberg, one of the most popular and influential contemporary filmmakers. Spielberg helped spark the renaissance of these genres in the 1970s and 1980s and remains productive and prominent in them today. Following most of Spielberg's oeuvre as well as his audiences' reactions, this book shows that his appeal as a storyteller is primarily visceral and emotional—for he has found ways to tap into his own feelings and to evoke profound emotion in audiences.

Hip Hop In American Cinema

Author: Melvin Burke Donalson
Publisher: Peter Lang
ISBN: 9780820463452
Size: 41.54 MB
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Hip Hop in American Cinema examines the manner in which American feature films have served as the primary medium for mainstreaming hip hop culture into American society. With their glamorizing portrayals of graffiti writing, break dancing, rap music, clothing, and language, Hollywood movies have established hip hop as a desirable youth movement. This book demonstrates how Hollywood studios and producers have exploited the profitable connection among rappers, soundtracks, and mass audiences. Hip Hop in American Cinema offers valuable information for courses in film studies, popular culture, and American studies.

Mixed Race Hollywood

Author: Mary C. Beltran
Publisher: NYU Press
ISBN: 9780814789674
Size: 65.11 MB
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A Kansas City Star 2008 Notable Book Since the early days of Hollywood film, portrayals of interracial romance and of individuals of mixed racial and ethnic heritage have served to highlight and challenge fault lines within Hollywood and the nation’s racial categories and borders. Mixed Race Hollywood is a pioneering compilation of essays on mixed-race romance, individuals, families, and stars in U.S. film and media culture. Situated at the cutting-edge juncture of ethnic studies and media studies, this collection addresses early mixed-race film characters, Blaxploitation, mixed race in children’s television programming, and the "outing" of mixed-race stars on the Internet, among other issues and contemporary trends in mixed-race representation. The contributors explore this history and current trends from a wide range of disciplinary perspectives in order to better understand the evolving conception of race and ethnicity in contemporary culture.

Post Soul Black Cinema

Author: William R. Grant
Publisher: Routledge
ISBN: 1135937036
Size: 10.46 MB
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This work examines and analyzes how the cinematic image of African Americans became a fixed image with strict rules of depiction both written and unwritten. And, how those very limited and under-informed images would not and could not be challenged or transformed until the power relations in the American film industry began to change and afforded blacks the opportunity at the very least to tell stories from an informed position.

White Men On Race

Author: Joe R. Feagin
Publisher: Beacon Press
ISBN: 9780807009833
Size: 17.55 MB
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"White Men on Race illustrates the way privileged white men think about others; it is a major contribution to our understanding of racial privilege and its denial in our society." —Hernán Vera, author of Screen Saviors: Hollywood Fictions of Whiteness Based on the revealing and provocative testimony of approximately one hundred powerful, upper-income white men, White Men on Race shows how white men see racial "others," how they see white America, how they view racial conflicts, and what they expect for the future of the country. Covering a range of topics, from how they first encountered black Americans to views on black families, interracial dating, affirmative action, immigration, crime, and intervening in discriminatory situations, these hundred white men enlighten us on the racial perspectives of the country's white male elites as we enter the twenty-first century. "Pulitzer prize nominee Joe Feagin's tremendous body of work consistently has placed race, class, and gender at the center of analysis. Feagin has been a leading social scientist in this area and a scholar relentless in his focus on power, privilege, and issues of discrimination. White Men on Race adds to his voluminous oeuvre by providing penetrating insights into the range of racial attitudes of the upper class in the U.S. Here Feagin and O'Brien's compelling analysis of rare data is quite provocative and illuminating." —Dr. Bernice McNair Barnett, associate professor, University of Illinois at Urbana-Champaign

Framing Blackness

Author: Ed Guerrero
Publisher: Temple University Press
ISBN: 9781439904138
Size: 54.68 MB
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A challenge to Hollywood's one-dimensional images of African Americans.

Liberation Sociology

Author: Joe R. Feagin
Publisher: Routledge
ISBN: 131726469X
Size: 20.91 MB
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Many people of all ages today continue to be attracted to sociology and other social sciences because of their promise to contribute to better political, social, and moral understandings of themselves and their social worlds-and often because they hope it will help them to build a better society. In a world of new movements and deepening economic inequality following the Great Recession, this new edition is vital. It features dozens of new examples from the latest research, with an emphasis on the next generation of liberation sociologists. The authors expand on the previous edition with the inclusion of sections on decolonisation paradigms in criminology, critical speciesism, and studies of environmental racism and environmental privilege. There is an expanded focus on participatory action research, and increased coverage of international liberation social scientists. Work by psychologists, anthropologists, theologians, historians, and others who have developed a liberation orientation for their disciplines is also updated and expanded.

Afroasian Encounters

Author: Heike Raphael-Hernandez
Publisher: NYU Press
ISBN: 0814776906
Size: 75.32 MB
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With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture? AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present. A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a “Black Pacific.” From the history of Japanese jazz composers to the current popularity of black/Asian “buddy films” like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.

Race On The Qt

Author: Adilifu Nama
Publisher: University of Texas Press
ISBN: 0292772386
Size: 72.86 MB
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Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino's films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino's films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama's eclectic fusion of cultural criticism and film analysis looks beyond the director's personal racial attitudes and focuses on what Tarantino's filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.