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South African National Cinema

Author: Jacqueline Maingard
Publisher: Routledge
ISBN: 1135124035
Size: 40.97 MB
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South African National Cinema examines how cinema in South Africa represents national identities, particularly with regard to race. This significant and unique contribution establishes interrelationships between South African cinema and key points in South Africa’s history, showing how cinema figures in the making, entrenching and undoing of apartheid. This study spans the twentieth century and beyond through detailed analyses of selected films, beginning with De Voortrekkers (1916) through to Mapantsula (1988) and films produced post apartheid, including Drum (2004), Tsotsi (2005) and Zulu Love Letter (2004). Jacqueline Maingard discusses how cinema reproduced and constructed a white national identity, taking readers through cinema’s role in building white Afrikaner nationalism in the 1930s and 1940s. She then moves to examine film culture and modernity in the development of black audiences from the 1920s to the 1950s, especially in a group of films that includes Jim Comes to Joburg (1949) and Come Back, Africa (1959). Jacqueline Maingard also considers the effects of the apartheid state’s film subsidy system in the 1960s and 1970s and focuses on cinema against apartheid in the 1980s. She reflects upon shifting national cinema policies following the first democratic election in 1994 and how it became possible for the first time to imagine an inclusive national film culture. Illustrated throughout with excellent visual examples, this cinema history will be of value to film scholars and historians, as well as to practitioners in South Africa today.

Cinema In A Democratic South Africa

Author: Lucia Saks
Publisher: Indiana University Press
ISBN: 0253221862
Size: 26.64 MB
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Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as to demonstrate stability amid social disruption. This rapid search for a new way to identify and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, early South African cinema, and finally speculates about the future of "counter-cinema" in present-day South Africa.

Theorising National Cinema

Author: Valentina Vitali
Publisher: Palgrave Macmillan
ISBN: 9781844571192
Size: 29.41 MB
Format: PDF
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All you'll ever need to know about national cinemas in one comprehensive volume. Leading film scholars introduce the concept and discuss a range of national cinemas in Europe, Asia, Africa and the Americas.

French National Cinema

Author: Susan Hayward
Publisher: Psychology Press
ISBN: 0415307821
Size: 70.34 MB
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This revised and updated version of a successful and established text, French National Cinema offers a thorough and much-needed historical overview of French cinema at a time when it continues to grow in popularity with films such as Amelie and Belleville Rendez-vous. Brought wholly up to date to include political and social developments in French cinema in the 1990s, its fresh approach and groundbreaking new writing on the subject offers a much further understanding of French cinema and its relationship with the French national identity. New subjects covered include: the GATT negotiations of 1993 French cinema's increasing dependence on investment from television the rise of the multiplex the implications of the introduction of digital technology. Ideal for all students of cinema, film studies and film history, this book traces the eco-history of the French film and its key figures and movements, and it places them in their wider political and cultural context.

Canadian National Cinema

Author: Chris Gittings
Publisher: Routledge
ISBN: 1134764855
Size: 54.18 MB
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Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.

The Devil You Dance With

Author: Audrey McCluskey
Publisher: University of Illinois Press
ISBN: 0252091868
Size: 78.92 MB
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South African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy. Filmmakers, once in exile, banned, or severely restricted, have returned home; subjects once outlawed by the apparatchiks of apartheid are now fair game; and a new crop of insurgent filmmakers are coming to the fore. Compiled and edited by Audrey Thomas McCluskey, this extraordinary volume presents twenty-five in-depth interviews with established and emerging South African filmmakers such as Zola Maseko, Teboho Mahlatsi, Ntshaveni wa Luruli, and many more. The interviews capture the filmmakers’ spirit, energy, and ambition as they attempt to give birth to a film culture that reflects the heart and aspirations of their diverse and emergent nation.

Irish National Cinema

Author: Ruth Barton
Publisher: Routledge
ISBN: 1134468199
Size: 17.24 MB
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From the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.

Chinese National Cinema

Author: Yingjin Zhang
Publisher: Routledge
ISBN: 1134690878
Size: 10.13 MB
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This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.

Nordic National Cinemas

Author: Gunnar Iverson
Publisher: Routledge
ISBN: 1134891768
Size: 39.29 MB
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Nordic National Cinemas explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden. The authors examine each country's domestic film production, social and political context and domestic audiences from the beginning of this century to the twentieth century. The authors not only explore the work of internationally renowned figures such as Mauritz Stiller, Victor Sjostrom, Carl Dreyer and Ingmar Bergman, directors of such classics as Vampyr, Ordet, Wild Strawberries and Cries and Whispers, but also nationally important film makers such as August Blom, Bodil Ipsen, Lau Lauritzen and Nils Malmros, they also discuss contemporary film makers including Gabriel Axel, director of Babette's Feast, the Kaurismaki brothers, directors of The Match Factory Girl and The Leningrad Cowboys and the recently acclaimed Lars von Trier, director of Breaking the Waves.

German National Cinema

Author: Sabine Hake
Publisher: Routledge
ISBN: 1136020543
Size: 74.17 MB
Format: PDF
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German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.