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Star Gazing

Author: Jackie Stacey
Publisher: Routledge
ISBN: 1136142045
Size: 37.87 MB
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In a historical investigation of the pleasures of cinema, Star Gazing puts female spectators back into theories of spectatorship. Combining film theory with a rich body of ethnographic research, Jackie Stacey investigates how female spectators understood Hollywood stars in the 1940's and 1950's. Her study challenges the universalism of psychoanalytic theories of female spectatorship which have dominated the feminist agenda within film studies for over two decades. Drawing on letters and questionnaires from over three hundred keen cinema-goers, Stacey investigates the significance of certain Hollywood stars in women's memories of wartime and postwar Britain. Three key processes of spectatorship - escapism, identification and consumption - are explored in detail in terms of their multiple and changing meanings for female spectators at this time. Star Gazing demonstrates the importance of cultural and national location for the meanings of female spectatorship, giving a new direction to questions of popular culture and female desire.

Gender Goes Life

Author: Marie-Luise Angerer
Publisher: transcript Verlag
ISBN: 3839408326
Size: 46.58 MB
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Seit den achtziger Jahren des 20. Jahrhunderts hat sich »Gender als Wissenskategorie« in den geistes- und kulturwissenschaftlichen Disziplinen etabliert. Bis vor wenigen Jahren waren hierbei poststrukturalistische sowie psychoanalytische Theorien zentral, um Fragen nach Körperlichkeit, sexueller Differenz und geschlechtlicher Identität zu bearbeiten. Heute bedingt die durchgreifende Digitalisierung von Wissenschaft und Gesellschaft eine Revision dieser Kategorie, da das Leben sich selbst zum neuen Agenten macht. Natur, Körper und Leben haben heute eine Eigenmächtigkeit erhalten, durch die sich das klassische Mantra - Klasse, Geschlecht, Ethnie - einmal mehr als künstliche, politisch willkürliche und gesellschaftlich kontrollierte Zuordnung erweist.

Situating The Feminist Gaze And Spectatorship In Postwar Cinema

Author: Marcelline Block
Publisher: Cambridge Scholars Publishing
ISBN: 1443804398
Size: 20.83 MB
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Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”

New Hollywood Cinema

Author: Geoff King
Publisher: I.B.Tauris
ISBN: 085773105X
Size: 10.45 MB
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What exactly is New Hollywood? - is the first question answered by Geoff King in his lively and accessible introduction to modern Hollywood cinema and its films. In the expanding literature on this area, New Hollywood Cinema fills a gap by offering a single, up-to-date volume covering the ground coherently and accessibly. From the radical gestures of the ‘Hollywood Renaissance’ of the late 1960s and early 1970s to the current dominance of the corporate blockbuster, this book focuses on the interactions between the different levels of the film industry. Studios are now merely one part of the broader ventures of huge media conglomerates. Hollywood is over-run by the demands of publicity and marketing. It also takes its cue from much TV and filmed advertising. How do these new developments shape the form and content of the films we see? King takes a look - bringing examples from all the different genres of Hollywood films to bear on the issues raised. Numerous case-studies of films, film-makers and production companies are used to illustrate these complex but very well-rendered ideas.

The Audience Studies Reader

Author: Will Brooker
Publisher: Psychology Press
ISBN: 9780415254359
Size: 76.28 MB
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"The Audience Studies Reader" provides a guide to thinking about the audience, and suggests new ways of looking at the relationship between media texts and those who receive, consume and interpret them. Here are key writings and research exploring questions of reception and interpretation.

Jet Li

Author: Sabrina Q Yu
Publisher: Edinburgh University Press
ISBN: 0748689559
Size: 45.94 MB
Format: PDF
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This is the first study of Chinese stars and their transnational stardom, examining the transnational Chinese actor Jet Li, probably the best martial arts actor alive.Jet Li's career has crossed numerous cultural and geographic boundaries, from mainland China to Hong Kong, from Hollywood to France. In Jet Li: Chinese Masculinity and Transnational Film Stardom, Sabrina Qiong Yu uses Li as an example to address some intriguing but under-examined issues surrounding transnational stardom in general and transnational kung fu stardom in particular.Presenting case studies of audiences' responses to Jet Li films and his star image, this book explores the way in which Li has evolved from a Chinese wuxia hero to a transnational kung fu star in relation to the discourses of genre, gender, sexuality, ethnicity and national identity. By rejecting a text-centred approach which prevails in star studies and instead emphasising the role of audiences in constructing star image, this book challenges some established perspectives in the study of Chinese male screen images and martial arts/action cinema.