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Still Life In Real Time

Author: Richard Dienst
Publisher: Duke University Press
ISBN: 9780822314660
Size: 62.60 MB
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Television can be imagined in a number of ways: as a profuse flow of images, as a machine that produces new social relationships, as the last lingering gasp of Western metaphysical thinking, as a stuttering relay system of almost anonymous messages, as a fantastic construction of time. Richard Dienst engages each of these possibilities as he explores the challenge television has posed for contemporary theories of culture, technology, and media. Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it. From the earliest theorists who viewed television as a new metaphor for a global whole, a liberal technology empty of ideological or any other content, through those who saw it as a tool for consumption, making time a commodity, to those who sense television’s threat to being and its intimate relation to power, Dienst exposes the rich pattern of television’s influence on philosophy, and hence on the deepest levels of contemporary experience. A book of theory, Still Life in Real Time will compel the attention of all those with an interest in the nature of the ever present, ever shifting medium and its role in the thinking that marks our time.

Television At The Movies

Author: Jon Nelson Wagner
Publisher: Bloomsbury Publishing USA
ISBN: 1441179402
Size: 77.69 MB
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The overview of television criticism, which this book provides, comes appropriately at a moment of change. Television is becoming dramatically different as a result of new and developing technologies such as cable, HDTV, satellite transmission and broadband distributions. By concentrating on the still-dominant notion of television, what the authors call "Classical Network Television," they argue that it is as important to understand this model as it is to understand Classical Hollywood Cinema. The co-authors have a unique approach to the study of television, viewing its history and reception not only through important articles about the medium, but also through analyzing how Hollywood auteur cinema has commented on television over the decades, in films such as Tootsie, Network, The Last Picture Show, A Face in the Crowd, Rollerball, The King of Comedy and others. Not only does this reflect the pervasive use of cinema theory to discuss television, it also helps to emphasize the importance of clarifying the distinctions between the criticisms of the two media. Television at the Movies argues that the study of television is a crucial aspect of understanding our recent and contemporary culture, and it provides an illuminating point of entry for students and researchers in the field.

Navigating Technomedia

Author: Sam Han
Publisher: Rowman & Littlefield
ISBN: 9780742560246
Size: 22.46 MB
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This is an introductory survey of what the author calls the 'technomedia', the generation of communication technologies after television, cell phones and the first wave of the Internet. Beginning with a history of media, the book explores the nature and effects of technomedia like the blogosphere, Blackberries and related technologies. Because they are transforming the relations of their users to the social environment, the topic is fast becoming an important focus of modern social theory.

Bodies Of Resistance

Author: Laura Anne Doyle
Publisher: Northwestern Univ Pr
ISBN: 9780810118461
Size: 63.96 MB
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This startling volume explores the traumas and possibilities of embodiment as it is lived in a political world. Unveiling the influence of phenomenology, particularly that of Maurice Merleau-Ponty, on contemporary thought, Bodies of Resistance cuts across the disciplines of philosophy, political theory, literature, and cultural studies to explore anew how we are at once produced by and resist cultural norms.Recent theory in the humanities and social sciences has cultivated a sophisticated understanding of the deep structures of cultural forces, how our ways of seeing as well as gesturing, dressing, speaking, and silencing shape a "style" of being in the world. The essays in this volume add further nuance to this understanding; but, more fundamentally, they address a prior ontological question: What is this "being" that is styled? And what is this embodied, performing subject that can initiate a resistant encounter with social scripts, whether in prisons, in musical performances, in discourse, or perhaps even in utero? The essays here describe this resistance in creative phenomenological terms so as to extend our conceptions of how agency unfolds from and through the body or bodies. As such, this collection of onto-political meditations will provoke fresh thinking among a wide range of writers and teachers in the social sciences and humanities.

Life Between Two Deaths 19892001

Author: Philip E. Wegner
Publisher: Duke University Press
ISBN: 0822390760
Size: 45.93 MB
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Through virtuoso readings of significant works of American film, television, and fiction, Phillip E. Wegner demonstrates that the period between the fall of the Berlin Wall in November 1989 and the terrorist attacks of September 11, 2001 fostered a unique consciousness and represented a moment of immense historical possibilities now at risk of being forgotten in the midst of the “war on terror.” Wegner argues that 9/11 should be understood as a form of what Jacques Lacan called the “second death,” an event that repeats an earlier “fall,” in this instance the collapse of the Berlin Wall. By describing 9/11 as a repetition, Wegner does not deny its significance. Rather, he argues that it was only with the fall of the towers that the symbolic universe of the Cold War was finally destroyed and a true “new world order,” in which the United States assumed disturbing new powers, was put into place. Wegner shows how phenomena including the debate on globalization, neoliberal notions of the end of history, the explosive growth of the Internet, the efflorescence of new architectural and urban planning projects, developments in literary and cultural production, new turns in theory and philosophy, and the rapid growth of the antiglobalization movement came to characterize the long nineties. He offers readings of some of the most interesting cultural texts of the era: Don DeLillo’s White Noise; Joe Haldeman’s Forever trilogy; Octavia Butler’s Parable novels; the Terminator films; the movies Fight Club, Independence Day, Cape Fear, and Ghost Dog; and the television series Buffy the Vampire Slayer. In so doing, he illuminates fundamental issues concerning narrative, such as how beginnings and endings are recognized and how relationships between events are constructed.