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Television Aesthetics And Style

Author: Steven Peacock
Publisher: Bloomsbury Publishing USA
ISBN: 1623569036
Size: 18.51 MB
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Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements.

Television Aesthetics And Style

Author: Steven Peacock
Publisher: Bloomsbury Publishing USA
ISBN: 162356249X
Size: 71.47 MB
Format: PDF, Mobi
View: 1717
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Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses a vital gap in Television Studies by engaging with the stylistic dynamics of TV; exploring the aesthetic properties and values of both the medium and particular types of output (specific programmes); and raising important questions about the way we judge television as both cultural artifact and art form. Television Aesthetics and Style provides a unique and vital intervention in the field, raising key questions about television's artistic properties and possibilities. Through a series of case-studies by internationally renowned scholars, the collection takes a radical step forward in understanding TV's stylistic achievements.

Television Style

Author: Jeremy G. Butler
Publisher: Routledge
ISBN: 1135890706
Size: 40.99 MB
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Style matters. Television relies on style—setting, lighting, videography, editing, and so on—to set moods, hail viewers, construct meanings, build narratives, sell products, and shape information. Yet, to date, style has been the most understudied aspect of the medium. In this book, Jeremy G. Butler examines the meanings behind television’s stylstic conventions. Television Style dissects how style signifies and what significance it has had in specific television contexts. Using hundreds of frame captures from television programs, Television Style dares to look closely at television. Miami Vice, ER, soap operas, sitcoms, and commercials, among other prototypical television texts, are deconstructed in an attempt to understand how style functions in television. Television Style also assays the state of style during an era of media convergence and the ostensible demise of network television. This book is a much needed introduction to television style, and essential reading at a moment when the medium is undergoing radical transformation, perhaps even a stylistic renaissance. Discover additional examples and resources on the companion website: www.tvstylebook.com.

How To Watch Television

Author: Jason Mittell
Publisher: NYU Press
ISBN: 0814763987
Size: 40.65 MB
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We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it ‘good’ or ‘bad.’ Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television brings together forty original essays from today’s leading scholars on television culture, writing about the programs they care (and think) the most about. Each essay focuses on a particular television show, demonstrating one way to read the program and, through it, our media culture. The essays model how to practice media criticism in accessible language, providing critical insights through analysis—suggesting a way of looking at TV that students and interested viewers might emulate. The contributors discuss a wide range of television programs past and present, covering many formats and genres, spanning fiction and non-fiction, broadcast and cable, providing a broad representation of the programs that are likely to be covered in a media studies course. While the book primarily focuses on American television, important programs with international origins and transnational circulation are also covered. Addressing television series from the medium’s earliest days to contemporary online transformations of television, How to Watch Television is designed to engender classroom discussion among television critics of all backgrounds. Read: Introduction / Table of Contents / Sample Essays Online View: Clips from the Essays Visit the Facebook page.

Television Aesthetics

Author: Nikos Metallinos
Publisher: Psychology Press
ISBN: 9780805812213
Size: 54.42 MB
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Based on effective empirical research from three axesperception, cognition, and composition - this book presents aesthetic principles of television images drawn from converging research in academic disciplines such as psychology (perceptual, cognitive, and experimental), neurophysiology, and the fine arts. Investigations in these diverse academic disciplines have provided the constructs and strengthened the foundations of the theory of television aesthetics set forth in this book. This volume offers a response to three ongoing needs: the need to develop the main composition principles pertinent to the visual communication medium of television; the need to establish the field of television aesthetics as an extension of the broader field of visual literacy; and the need to promote television aesthetics to both students and consumers of television.

Storytelling In Film And Television

Author: Kristin Thompson
Publisher: Harvard University Press
ISBN: 9780674010635
Size: 67.42 MB
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Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this engaging analysis of the narrative workings of television and film. After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them--tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as recent and current series like Buffy the Vampire Slayer, The Sopranos, and The Simpsons, she shows how adaptations, sequels, series, and sagas have altered long-standing notions of closure and single authorship. And in a comparison of David Lynch's Blue Velvet and Twin Peaks, she asks whether there can be an "art television" comparable to the more familiar "art cinema."

Television Aesthetics And Reality

Author: Anthony Barker
Publisher: Cambridge Scholars Publishing
ISBN: 1443807052
Size: 21.12 MB
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This new collection of essays seeks to focus on three areas where television has recently been in an intriguing state of flux. Taking as our background the emergence of multimedia conglomerates and cash-rich cable channels, we look at the way old national terrestrial channels and the brash new internationally commercialized ones have innovated in the domain of television programming. In all there are fourteen original essays, an introduction to the book’s theme by the editor and a foreword by Professor Annette Hill. Section one “Realizing the Real” looks at contemporary patterns of television consumption and the presentational styles which package the real in news, current affairs and other ‘live’ television formats. Essays on rhetorical strategies in the news coverage of the war in Iraq, on national and international inflections of Sky News in Europe and coverage of the recent EURO2004 football tournament, as well the multi-channel reporting of a prominent paedophilia scandal, are presented in this section. They all analyse the extent to which the grounded and the local are threatened and distorted by hegemonic forces in media today. The findings of a comprehensive new study of Portuguese social practices and viewing habits are also featured in this section. Section Two “Realizing Performance” addresses the way new trends in reality programming and other documentary practices have impacted on fiction and entertainment television. There are essays on the recent wave of British television comedy heavily influenced by TV newsmagazine and fly-on-the-wall documentary styles and two pieces on new American series, 24 and CSI, which have revolutionized the narrative parameters and evidential base for thrillers and cop shows respectively, coming up with new ways to ‘perform’ space, time and science. Finally there is an essay on Nigel Kneale’s The Year of the Sex Olympics (1968), a survivor from the era of the single play who seems to anticipate the future of television in reality-based gameshow-style entertainment. Each of these essays shows that the success of these programmes is dependent on a fresh restylization of the conventions and formulas which govern mainstream television programming. They therefore see the representation of the real in fiction as primarily an aesthetic reappraisal. Section Three “Performing the Real” looks at the explosion in reality television programming itself. It focuses on the coming to pass of 70s and 80s theorists’ visions of both a passive voyeuristic society and one increasingly at peace with the notion of surveillance. We have been progressively acculturated to watching and being watched. Orwellian anxiety has given way to Baudrillardian acceptance of the message and the medium fused in a new order of mediated reality or hyperreality. Essays refer specifically to the globalization of shows and formats and their local inflections and to coverage of reality shows in print media and on the net. There are essays on The Bachelor and gender stereotyping, Joe Millionaire and the conventions of melodrama, and two on Big Brother, one on the problems of communication within a sealed environment and another on its reception in Portugal. Concerns about the self and its authenticity are consistency raised in all the essays of this section.

Film Worlds

Author: Daniel Yacavone
Publisher: Columbia University Press
ISBN: 0231538359
Size: 52.31 MB
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Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

Reading 24

Author: Steven Peacock
Publisher: I.B.Tauris
ISBN: 0857716085
Size: 21.61 MB
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When 24 exploded onto TV screens in 2001, 'Time' magazine called it one of the ‘Best Television Events of the Decade’. '24' has gone on to establish itself as groundbreaking and controversial entertainment that has changed the face of television._x000D_ _x000D_ Each season of '24' traces the events of a single day in the life of CTU Field Agent Jack Bauer. Racing against the clock, Bauer battles assassination attempts, germ warfare and terrorist factions to ‘save the day’. '24' presents the nail-biting events of each day through its use of split-screen and ‘real-time’ devices. Dramatically explosive and visually dynamic, '24' taps into a global sense of uncertainty and suspicion with its provocative depiction of America’s role on the world stage and of terrorist activity and political double-dealing._x000D_ _x000D_ 'Reading '24' 'is the first book to bring together critical discussions of '24' from a wide range of perspectives. Entertaining and illuminating, the book looks in detail at the creative and controversial features of '24'. It considers, for example, '24'’s stylistic innovations, its engagement post 9/11 with the ‘War on Terror’, and its masking of identities. The pioneering spirit of the show is matched by the original arguments on display here, celebrating and censuring '24' - TV on the edge._x000D_ _x000D_

Appreciating The Art Of Television

Author: Ted Nannicelli
Publisher: Taylor & Francis
ISBN: 1317555570
Size: 49.93 MB
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Contemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. In Appreciating the Art of Television, Nannicelli contends that televisual art is not a recent development, but has in fact existed for a long time. Yet despite the flourishing of two relevant academic subfields—the philosophy of film and television aesthetics—there is little scholarship on television, in general, as an art form. This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate. It offers the first sustained theoretical examination of what is involved in appreciating television as an art and how this bears on the practical business of television scholars, critics, students, and fans—namely the comprehension, interpretation, and evaluation of specific televisual artworks.