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The Art Of Sampling 2nd Edition

Author: Amir Said
Publisher: Superchamp Books
ISBN: 9780974970417
Size: 27.23 MB
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The art of sampling -- one of the most innovative music processes to emerge in the late-twentieth century -- stands today as both a celebrated art form and a cultural activity within the hip hop/rap music tradition and beyond. 'The Art of Sampling' (Amir Said, author of 'The BeatTips Manual'), examines this complex and controversial music process, and presents a study that illuminates the history, creative mechanics, and philosophy of sampling, while also exploring the implications that it holds for copyright law. Divided into three primary parts, including an in-depth History part, a robust Instruction (how-to) part, and a highly comprehensive Copyright Law part, 'The Art of Sampling' is detailed, sharply informative, and engaging. Astute and intensely thought-provoking, it's the definitive book on sampling in the hip hop/rap music tradition and copyright law, and one of the most striking and poignant music studies to come along in years.

Creative License

Author: Kembrew McLeod
Publisher: Duke University Press
ISBN: 0822348756
Size: 28.65 MB
Format: PDF
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Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industry s approach to digital sampling.

Making Beats

Author: Joseph G. Schloss
Publisher: Wesleyan University Press
ISBN: 0819574821
Size: 72.61 MB
Format: PDF, ePub, Docs
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Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists’ pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of “digging” for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.

The Beattips Manual 6th Editition

Author: Amir Ali Said
Publisher: Superchamp, Incorporated
ISBN: 9780989398602
Size: 56.45 MB
Format: PDF, ePub
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'The BeatTips Manual' (Amir Said) is the definitive study of the art of beatmaking (hip hop production). Brilliantly divided into five major parts - a riveting History part, an extensive Instruction (how-to) part, an insightful Interviews part, which features exclusive interviews with DJ Premier, DJ Toomp, Marley Marl, 9th Wonder and more, an explosive Music Theory part, and a Business part - 'The BeatTips Manual' is robust, detailed, and comprehensive. Containing a sharp analysis of the origins of beatmaking, as well as its key aesthetics, principles, priorities, and predilections, 'The BeatTips Manual' is an incisive look at the art of beatmaking - and an intense read. Not only the most complete examination of the hip hop/rap music process, it's also among the leading studies of hip hop culture itself. Destined to expand and transform traditional ideas about musicians, musicianship, and musical processes, 'The BeatTips Manual' is one of the most important and innovative music studies ever published.

Hip Hop And The Law

Author: Pamela D. Bridgewater
Publisher:
ISBN: 9781611635942
Size: 37.97 MB
Format: PDF, ePub
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What is important to understanding American law? What is important to understanding Hip Hop? Wide swaths of renowned academics, practitioners, commentators, and performance artists have answered these two questions independently. And although understanding both depends upon the same intellectual enterprise, textual analysis of narrative storytelling, somehow their intersection has escaped critical reflection. Hip Hop and the Law merges the two cultural giants of law and rap music and demonstrates their relationship at the convergence of Legal Consciousness, Politics, Hip Hop Studies, and American Law. No matter what your role or level of experience with law or Hip Hop, this book is a sound resource for learning, discussing, and teaching the nuances of their relationship. Topics include Critical Race Theory, Crime and Justice, Mass Incarceration, Gender, and American Law: including Corporate Law, Intellectual Property, Constitutional Law, and Real Property Law.

The Cambridge Companion To Hip Hop

Author: Justin A. Williams
Publisher: Cambridge University Press
ISBN: 1107037468
Size: 72.77 MB
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This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.

Law And Creativity In The Age Of The Entertainment Franchise

Author: Kathy Bowrey
Publisher: Cambridge University Press
ISBN: 131606123X
Size: 50.33 MB
Format: PDF
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Much of the real value in the entertainment industry today lies in franchises – fictional universes, entertainment concepts, reinventions of cultural traditions and celebrity – that create an ongoing presence in the marketplace. The entertainment franchise now shapes the global cultural landscape. However, scholars have devoted little attention to how intellectual property law has changed or is being stretched in practice to accommodate this type of creativity and form of enterprise. Covering law and practice in jurisdictions such as the UK, the EU, the USA, Australia, Spain and the Caribbean, this collection explores the 'fit' of intellectual property laws with specific franchises and tracks the way creators and entrepreneurs work around law's limitations. Case studies include mega-film franchises, fan activity, hip-hop, the management of celebrity reputation, flamenco, 'Disneyfied' theatre, film and television funding, arts festivals and 'carnival in a box'.

Copyrights And Copywrongs

Author: Siva Vaidhyanathan
Publisher: NYU Press
ISBN: 9780814788073
Size: 10.13 MB
Format: PDF
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Social movements inspired by powerful ideological beliefs continue to define global and national politics. In Yugoslavia, civil war is justified in the name of religion and ethnic identity. The Arab-Israeli conflict rages on, fuelled on either side by a conviction of indisputable ideological truth. Closer to home, American religious organizations consistently challenge political authority in the name of a higher morality. Existing theories either ignore the role of religion in social movement formation or discredit the claim that religious convictions can directly lead adherents to engage in political action. Through a detailed analysis of American and British evangelical Christians, J. Christopher Soper here demonstrates that religious commitments were, in fact, crucial in promoting political activism in both countries. Evangelical Christianity in the United States and Great Britain is the first book to provide such a comparative perspective. Focussing on the temperance movement and the politics of abortion, Soper highlights the similarities, and equally intriguing differences, between British and American political/evangelical structures. Using interviews and literature gathered from evangelical organizations on both sides of the Atlantic, he paints a fascinating picture of a hitherto neglected aspect of social movement theory. Evangelical Christianity in the United States and Great Britain is an invaluable new resource for scholars of religious studies, political science and sociology alike. Soper provides a unique model with which to view a dominant political trend: the mobilization of collective action groups around a set of powerful beliefs. His research can thus be applied beyond the boundaries of his chosen topic, and will be an important contribution to the study of any movement in which ideology assumes a significant role.

Steal This Music

Author: Joanna Teresa Demers
Publisher: University of Georgia Press
ISBN: 9780820330754
Size: 32.73 MB
Format: PDF, ePub
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Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers’s timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse’s “Grey Album” and Mike Batt’s homage-gone-wrong to John Cage’s silent composition “4’33.” Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation—the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP “infringement” to include allusive borrowing in all forms: sampling, celebrity impersonation—even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.

Moral Panics And The Copyright Wars

Author: William Patry
Publisher: Oxford University Press
ISBN: 0195385640
Size: 78.85 MB
Format: PDF, Mobi
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In Moral Panics and the Copyright Wars, William Patry offers a lively, unflinching examination of the pitched battles over new technology, business models, and most of all, consumers. He lays bare how we got to where we are: a bloated, punitive legal regime that has strayed far from its modest, but important roots. A centrist and believer in appropriately balanced copyright laws, Patry concludes that the only laws we need are effective laws, laws that further the purpose of encouraging the creation of new works and learning.