Download the british film industry in the 1970s capital culture and creativity in pdf or read the british film industry in the 1970s capital culture and creativity in pdf online books in PDF, EPUB and Mobi Format. Click Download or Read Online button to get the british film industry in the 1970s capital culture and creativity in pdf book now. This site is like a library, Use search box in the widget to get ebook that you want.



The British Film Industry In The 1970s

Author: Sian Barber
Publisher: Palgrave Macmillan
ISBN: 0230360955
Size: 54.40 MB
Format: PDF, ePub
View: 2847
Download and Read
Throughout the 1970s the British film industry struggled to produce films which performed well at the box office and appealed to audiences. As a result, the decade has often been considered as one of the low points of British cinema. But was this really the case? Conventional film histories of the decade have emphasised key texts and specific genres, such as the Bond films, the Carry On series or low budget horror. Yet British cinema in this period offered a great deal more to audiences, and careful study of original documents demonstrates the diversity and variety of an industry, and a decade, typically perceived as limited and unimaginative. An examination of important material – much of it newly discovered or previously under-used – offers an insight into the industry in this decade while key case studies present a detailed picture of the eclectic, diverse and often challenging film culture of the period.

Using Film As A Source

Author: Sian Barber
Publisher: Oxford University Press
ISBN: 071909030X
Size: 61.50 MB
Format: PDF, ePub, Mobi
View: 3110
Download and Read
This book is a hands-on study skills guide that explores how film and moving image can be used as sources. It is aimed at those who want to use film and moving image as the basis for research and offers advice on research methods, theory and methodology, archival work and film-based analysis. It draws on the disciplines of film and history to offer advice for students and researchers in these fields. The book includes sections on working with different kinds of moving images, how to explore visual sources, how to undertake film-related research and how to use film theory. In addition to providing detailed case studies, the guide also offers advice on research, writing and studying, creating a methodology, visiting archives, accessing material and exploring films from a historical perspective. The guide's focus is on good research practice, whether it be conducting an interview, visiting an archive, undertaking textual analysis or defining a research question.

British Film Culture In The 1970s

Author: Sue Harper
Publisher: Edinburgh University Press
ISBN: 0748654283
Size: 62.86 MB
Format: PDF, ePub, Mobi
View: 2350
Download and Read
This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period.

Making Time In Stanley Kubrick S Barry Lyndon

Author: Maria Pramaggiore
Publisher: Bloomsbury Publishing USA
ISBN: 144112554X
Size: 34.43 MB
Format: PDF, Docs
View: 391
Download and Read
Considered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about an Irish subject. Pramaggiore argues that, in Barry Lyndon, Kubrick develops his richest philosophical mediation on cinema's capacity to mediate the real and foregrounds film's relationship to other technologies of visuality, including painting, photography, and digital media. By combining extensive research into the film's source novel, production and reception with systematic textual analysis and an engagement with several key issues in contemporary academic debate, this work promises not only to make a huge impact in the field of Kubrick studies, but also in 1970s filmmaking, cultural history and transnational film practice.

The Arts In The 1970s

Author: Dr Bart Moore-Gilbert
Publisher: Routledge
ISBN: 113485837X
Size: 44.41 MB
Format: PDF, ePub, Mobi
View: 7735
Download and Read
Were the 1970s really `the devils decade'? Images of strikes, galloping inflation, rising unemployment and bitter social divisions evoke a period of unparalleled economic decline, political confrontation and social fragmentation. But how significant were the pessimism and self-doubt of the 1970s, and what was the legacy of its cultural conflicts? Covering the entire spectrum of the arts - drama, television, film, poetry, the novel, popular music, dance, cinema and the visual arts - The Arts in the 1970s challenges received perceptions of the decade as one of cultural decline. The collection breaks new ground in providing the first detailed analysis of the cultural production of the decade as a whole, providing an invaluable resource for all those involved in cultural, media and communications studies.

The Oxford History Of World Cinema

Author: Geoffrey Nowell-Smith
Publisher: OUP Oxford
ISBN:
Size: 72.13 MB
Format: PDF
View: 1734
Download and Read
The Oxford History of World Cinema, written by an international team of distinguished contributors, traces the history of the twentieth century's most enduringly popular entertainment from across the globe. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles one hundred years of diverse achievement from westerns to the New Wave, from animation to the Avant-garde, and from Hollywood to Hong Kong. Illustrated throughout. - ;From its humble beginnings as a novelty in a handful of cities, cinema has risen to become a billion- dollar industry and the most spectacular and original contemporary art form. It has spread to all parts of the globe, and is enjoyed by audiences that cut across all sections of society. The Oxford History of World Cinema traces the history of this enduringly popular entertainment medium. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the Avant-Garde, and from Hollywood to Hong Kong. An international team of distinguished film historians tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel; other chapters outline the evolution of national cinemas round the world - the varied and distinctive filmic traditions that have developed alongside Hollywood. A unique aspect of the book are the special inset features on the film-makers and personalities - Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman - who have had an enduring impact in popular memory and cinematic lore. With over 300 illustrations, a full bibliography, and an extensive index, this is the buff's ultimate guide to cinema worldwide. -

Seventies British Cinema

Author: Robert Shail
Publisher: Palgrave MacMillan
ISBN:
Size: 15.90 MB
Format: PDF, ePub, Docs
View: 4100
Download and Read
This collection provides an illuminating and enjoyable guide to the popular genres, contexts and styles of film production, key films and film-makers of British cinema in the 1970s, addressing films such as 'The Wicker Man', genres such as punk and sexploitation, and series such as the Bond and 'Carry On' films.

Marxism And Media Studies

Author: Mike Wayne
Publisher: Pluto Press
ISBN: 9780745319131
Size: 64.54 MB
Format: PDF, ePub, Docs
View: 3522
Download and Read
Although media studies is a popular academic discipline, there are remarkably few books that analyse it from a specifically Marxist perspective. Mike Wayne's book is ideal for all students of media studies who are interested in bringing a radical political methodology to bear on their work. He presents an accessible guide to key Marxist concepts and shows how to apply them to contemporary cultural analysis.Drawing on Marx, Lukacs, Gramsci, Habermas, Jameson and other writers, this book provides a comprehensive exposition of the key concepts required for a Marxist analysis of the media and current cultural trends. Retooling and redeeming such concepts as class, mode of production, culture industries, the state, base-superstructure, ideology, hegemony, knowledge and social interests, and commodity fetishism, this book ranges across film, television, the internet and print media. The analysis is carefully grounded in case studies ranging from digital file swapping to Disney, from reality TV show Big Brother to the spirits and spectres in such films as The Others, The Devil's Backbone and Dark City, which illuminate the fetishisms of culture and society under capital.Exploring the relevance of each concept to understanding the media, Wayne explains why Marxism is an important critical methodology for the media student to engage with. He foregrounds the theoretical and political shifts that have led to its marginalisation in recent years, and highlights how and why these trends are changing as once more, people return to Marx and Marxism to understand the world around them.