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The Changing Face Of Korean Cinema

Author: Brian Yecies
Publisher: Routledge
ISBN: 1134599579
Size: 69.55 MB
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The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history which runs parallel to the nation’s political, social, economic and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the 21st century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds, and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, and especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung-hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s professionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions between film policy, producing, directing, genre, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of ‘Planet Hallyuwood’. It will be of particular interest to students and scholars of Korean Studies and Film Studies.

The Making Of Modern Korea

Author: Adrian Buzo
Publisher: Taylor & Francis
ISBN: 1317422783
Size: 73.54 MB
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This fully updated third edition of The Making of Modern Korea provides a thorough, balanced and engaging history of Korea from 1876 to the present day. The text is unique in analysing domestic developments in the two Koreas in the wider context of regional and international affairs. Key features of the book include: • Comprehensive coverage of Korean history. • Expanded coverage of social and cultural affairs. • A new chapter covering the end of the Choson Dynasty in the context of Japanese imperialist expansionism. • Up-to-date analysis of important contemporary developments in both Koreas, including assessments of the Kim Jong Il and Kim Jong Un administrations and the North’s nuclear weapons program. • Comparative focus on North and South Korea. • An examination of Korea within its regional context. • A detailed chronology and suggestions for further reading. The Making of Modern Korea is a valuable one-volume resource for students of modern Korean history, international politics and Asian Studies.

Danger Development And Legitimacy In East Asian Maritime Politics

Author: Christian Wirth
Publisher: Routledge
ISBN: 1351606360
Size: 11.16 MB
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Grounded in extensive empirical research, Danger, Development and Legitimacy in East Asian Maritime Politics addresses the major issues of geopolitics in the region that have been and will continue to shape the international politics of the Asia-Pacific for years to come. Covering the nation-states of China, Japan and South Korea, it includes an examination of the key island disputes, as well as analysis of the North Korea–South Korea clashes in the Yellow Sea, controversies in Japan’s relations with both Koreas and the so-called ‘history disputes’, including recognition of World War II atrocities across the region. In doing so, this book explores a range of themes from the ecological environment to the globalized nature of shipping and therein links the East Asian maritime sphere directly to the dynamics and developments in the domestic politics of each country. Thus, it serves to demonstrate how several controversial debates in the international politics of the Asia-Pacific are ultimately and inextricably intertwined. A timely contribution that furthers our understanding of contemporary politics of the Asia-Pacific, this book will be of great interest to students and scholars of Asian politics, international relations and the Asia-Pacific region in general.

Denying The Comfort Women

Author: Rumiko Nishino
Publisher: Routledge
ISBN: 1351690639
Size: 75.75 MB
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Planned, instituted and run by the Japanese Imperial Military during the Asia-Pacific War, the ‘comfort women’ system remains hugely controversial. Although political leaders often contest the role of coercion, many argue that the ‘comfort women’ were mobilized forcibly, through processes of abduction and deception. Utilising archival research, court testimonies and eyewitness accounts of both survivors and military and civilian personnel, this book argues its case in three ways. Part I analyses the modalities of coercion employed by the authorities and investigates the historical differences and continuities between licensed peacetime prostitution and wartime sexual slavery. Part II then examines the failures f the Asian Women’s Fund to resolve the ‘comfort women’ issue, whilst Part III explores the removal of ‘comfort women’ content from school history texts after the late 1990s and details Japan’s diplomatic efforts to prevent war victims froms uing the post-war state. Presenting a strong argument in opposition to the revisionist school of thought, this book ultimately concludes that a realistic settlement would see a victim-oriented solution that the survivors can accept. Written by leading Japanese and zainichi Korean scholars, Denying the Comfort Women will be of huge interest to students and scholars of modern Japanese studies, gender studies, women’s studies and Asian history.

The End Of Japanese Cinema

Author: Alexander Zahlten
Publisher: Duke University Press
ISBN: 0822372460
Size: 63.80 MB
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In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University

Exploring Morality And Sexuality In Asian Cinema

Author: Peter C. Pugsley
Publisher: Routledge
ISBN: 1317137299
Size: 38.76 MB
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This ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian films. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films. The social and regulatory environments for filmmakers across Asia reflect distinct national and cultural differences. In just the past decade, for instance, Indian cinema has rapidly moved from representations of coy and submissive female protagonists to highly eroticized leading ladies unafraid of flaunting their sexuality. On the other hand, the cinema emerging from the Chinese mainland has been much more circumspect in its representations of overt sexuality, at times in conflict with other Chinese cinemas from Hong Kong and Taiwan. This use of sexual imagery or morally questionable film content raises on-going debates into censorship and the use of state or industry controls to protect certain sectors of society from exposure to particular narratives or images. Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, an understanding of the different aesthetics at play will enable readers of this book to recognize key cultural motifs in representations of onscreen sexuality and the surrounding controversies found in cinematic texts from Asia.

Willing Collaborators

Author: Michael Keane
Publisher: Media, Culture and Communication in Asia-Pacific Societies
ISBN: 9781786604248
Size: 55.93 MB
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As China looks to reinvigorate its soft power by drawing on the creative inputs of foreign media producers and technical expertise, this book explores how and why creative workers are moving to the Mainland from East Asia, and how they are navigating the challenges of producing creative and critical content in a politically constrained environment.

Storytelling In World Cinemas

Author: Lina Khatib
Publisher: Columbia University Press
ISBN: 0231850077
Size: 59.99 MB
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Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling.

Film Tourism In Asia

Author: Sangkyun Kim
Publisher: Springer
ISBN: 9811059098
Size: 62.58 MB
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This book focuses on film tourism: the phenomenon of people visiting locations from popular film or TV series. It is based on a unique, Asian perspective, encompassing case studies from around the pan-Asian region, including China, Taiwan, India, Japan, South Korea, Thailand, Hong Kong, Indonesia, and Singapore. By focusing emphatically on film tourism in the non-West, this book offers a timely and crucial contribution to a more comprehensive understanding of the relation between film, culture and place, particularly in light of the increased volume of media production and consumption across Asia, and the consequent film tourism destinations that are currently popping up across the Asian continent.

Korean Horror Cinema

Author: Alison Peirse
Publisher: Edinburgh University Press
ISBN: 0748677658
Size: 12.16 MB
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As the first detailed English-language book on the subject, Korean Horror Cinema introduces the cultural specificity of the genre to an international audience, from the iconic monsters of gothic horror, such as the wonhon (vengeful female ghost) and the gumiho (shapeshifting fox), to the avenging killers of Oldboy and Death Bell. Beginning in the 1960s with The Housemaid, it traces a path through the history of Korean horror, offering new interpretations of classic films, demarcating the shifting patterns of production and consumption across the decades, and introducing readers to films rarely seen and discussed outside of Korea. It explores the importance of folklore and myth on horror film narratives, the impact of political and social change upon the genre, and accounts for the transnational triumph of some of Korea's contemporary horror films. While covering some of the most successful recent films such as Thirst, A Tale of Two Sisters, and Phone, the collection also explores the obscure, the arcane and the little-known outside Korea, including detailed analyses of The Devil's Stairway, Woman's Wail and The Fox With Nine Tails. Its exploration and definition of the canon makes it an engaging and essential read for students and scholars in horror film studies and Korean Studies alike.