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The Devil Behind The Mirror

Author: Steven Gregory
Publisher: Univ of California Press
ISBN: 0520282256
Size: 67.82 MB
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In The Devil behind the Mirror, Steven Gregory provides a compelling and intimate account of the impact that transnational processes associated with globalization are having on the lives and livelihoods of people in the Dominican Republic. Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative, beautifully written, and now updated with a new preface, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.

The Devil Behind The Mirror

Author: Steven Gregory
Publisher: Univ of California Press
ISBN: 0520249291
Size: 37.14 MB
Format: PDF, ePub
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"In his stunningly vivid picture of communities grappling with the demons of economic globalization, Gregory shows how peoples' livelihoods are devalued and torn asunder when they are exposed to the rough justice of the market. An absorbing case study and an ethnographic tour de force."—Andrew Ross, author of Fast Boat to China: Corporate Flight and the Consequences of Free Trade "Steven Gregory has done it again. Globalization, tourism, citizenship, gender, work, media, urban development—no topic is left untouched in this gifted and much awaited ethnography. This work is sure to illuminate and teach us much about the contemporary workings of neoliberalism and power in the Caribbean and Latin America."—Arlene Dávila, author of Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City "For small countries, globalization glitters with the promise of deliverance from entrenched poverty. But in the Dominican Republic, Steven Gregory finds a crazy quilt of tourist development that fixes labor, racial, and gender inequalities in place. With wit and flair, ordinary folks mock and challenge the deceptive surfaces of globalization. Gregory has written an important account of how globalization creates hope and yet hurts people in poor countries."—Aihwa Ong, author of Buddha Is Hiding: Refugees, Citizenship, the New America, and Neoliberalism as Exception: Mutations in Citizenship and Sovereignty "The Devil behind the Mirror is a truly great book. Steven Gregory powerfully reveals the myriad ways in which poor—but always resourceful—people in one particular place live in, through, and against the effects of globalization. In the process, Gregory demonstrates the continuing, and indeed increasingly urgent, value of on-the-ground ethnographic research in the contemporary world. Linking global dynamics with real people's lives, the book is both brilliantly argued and beautifully written."—Sherry B. Ortner. author of New Jersey Dreaming

The Devil Behind The Mirror

Author: Steven Gregory
Publisher: Univ of California Press
ISBN: 9780520940123
Size: 31.22 MB
Format: PDF, Mobi
View: 2010
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In The Devil behind the Mirror, Steven Gregory provides a compelling and intimate account of the impact that transnational processes associated with globalization are having on the lives and livelihoods of people in the Dominican Republic. Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative and beautifully written, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.

Modernity Disavowed

Author: Sibylle Fischer
Publisher: Duke University Press
ISBN: 0822385503
Size: 70.70 MB
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Modernity Disavowed is a pathbreaking study of the cultural, political, and philosophical significance of the Haitian Revolution (1791–1804). Revealing how the radical antislavery politics of this seminal event have been suppressed and ignored in historical and cultural records over the past two hundred years, Sibylle Fischer contends that revolutionary antislavery and its subsequent disavowal are central to the formation and understanding of Western modernity. She develops a powerful argument that the denial of revolutionary antislavery eventually became a crucial ingredient in a range of hegemonic thought, including Creole nationalism in the Caribbean and G. W. F. Hegel’s master-slave dialectic. Fischer draws on history, literary scholarship, political theory, philosophy, and psychoanalytic theory to examine a range of material, including Haitian political and legal documents and nineteenth-century Cuban and Dominican literature and art. She demonstrates that at a time when racial taxonomies were beginning to mutate into scientific racism and racist biology, the Haitian revolutionaries recognized the question of race as political. Yet, as the cultural records of neighboring Cuba and the Dominican Republic show, the story of the Haitian Revolution has been told as one outside politics and beyond human language, as a tale of barbarism and unspeakable violence. From the time of the revolution onward, the story has been confined to the margins of history: to rumors, oral histories, and confidential letters. Fischer maintains that without accounting for revolutionary antislavery and its subsequent disavowal, Western modernity—including its hierarchy of values, depoliticization of social goals having to do with racial differences, and privileging of claims of national sovereignty—cannot be fully understood.

Black Behind The Ears

Author: Ginetta E. B. Candelario
Publisher: Duke University Press
ISBN: 9780822340379
Size: 34.22 MB
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Black behind the Ears is an innovative historical and ethnographic examination of Dominican identity formation in the Dominican Republic and the United States. For much of the Dominican Republic's history, the national body has been defined as "not black," even as black ancestry has been grudgingly acknowledged. Dominicans tend to understand and represent themselves as racially Indian and culturally Hispanic. Scholars have proposed "Negrophobia," anti-Haitianism, and indigenism as reasons for Dominicans' apparent denial of their own blackness. Rejecting these explanations as simplistic, Ginetta E. B. Candelario suggests that it is not a desire for whiteness that guides Dominican identity discourses and displays. Instead, it is an ideal norm of what it means to be and look "Hispanic." Candelario draws on her participant observation in a Dominican beauty shop in Washington Heights, a New York City neighborhood with the oldest and largest Dominican community outside the Republic; interviews with Dominicans in New York City, Washington, D.C., and Santo Domingo; and historical documents, literary texts, archival photographs, and newspaper accounts. Her analysis encompasses portrayals of Dominicans in nineteenth and early-twentieth-century European and American travel narratives, displays in the Museo del Hombre Dominicano and the Smithsonian Institution, and the visible role that women play as symbols and reproducers of Dominican identity. Candelario shows that most Dominican immigrants privilege hair texture over skin color, facial features, and ancestry in defining race.

Dancehall

Author: Sonjah Stanley Niaah
Publisher: University of Ottawa Press
ISBN: 0776619047
Size: 15.17 MB
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DanceHall combines cultural geography, performance studies and cultural studies to examine performance culture across the Black Atlantic. Taking Jamaican dancehall music as its prime example, DanceHall reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance. Combining the rhythms of reggae, digital sounds and rapid-fire DJ lyrics, dancehall music was popularized in Jamaica during the later part of the last century by artists such as Shabba Ranks, Shaggy, Beenie Man and Buju Banton. Even as its popularity grows around the world, a detailed understanding of dancehall performance space, lifestyle and meanings is missing. Author Sonjah Stanley Niaah relates how dancehall emerged from the marginalized youth culture of Kingston’s ghettos and how it remains inextricably linked to the ghetto, giving its performance culture and spaces a distinct identity. She reveals how dancehall’s migratory networks, embodied practice, institutional frameworks, and ritual practices link it to other musical styles, such as American blues, South African kwaito, and Latin American reggaetòn. She shows that dancehall is part of a legacy that reaches from the dance shrubs of West Indian plantations and the early negro churches, to the taxi-dance halls of Chicago and the ballrooms of Manhattan. Indeed, DanceHall stretches across the whole of the Black Atlantic’s geography and history to produce its detailed portrait of dancehall in its local, regional, and transnational performance spaces.

Caribbean Pleasure Industry

Author: Mark Padilla
Publisher: University of Chicago Press
ISBN: 0226644375
Size: 43.25 MB
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In recent years, the economy of the Caribbean has become almost completely dependent on international tourism. And today one of the chief ways that foreign visitors there seek pleasure is through prostitution. While much has been written on the female sex workers who service these tourists, Caribbean Pleasure Industry shifts the focus onto the men. Drawing on his groundbreaking ethnographic research in the Dominican Republic, Mark Padilla discovers a complex world where the global political and economic impact of tourism has led to shifting sexual identities, growing economic pressures, and new challenges for HIV prevention. In fluid prose, Padilla analyzes men who have sex with male tourists, yet identify themselves as “normal” heterosexual men and struggle to maintain this status within their relationships with wives and girlfriends. Padilla’s exceptional ability to describe the experiences of these men will interest anthropologists, but his examination of bisexuality and tourism as much-neglected factors in the HIV/AIDS epidemic makes this book essential to anyone concerned with health and sexuality in the Caribbean or beyond.

Capitalizing On Catastrophe

Author: Nandini Gunewardena
Publisher: Rowman Altamira
ISBN: 9780759111035
Size: 27.20 MB
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Capitalizing on Catastrophe critically explores the phenomenon of "disaster capitalism," in which relief efforts for natural disasters and other large-scale disruptions are contracted out to private companies.

Romance On A Global Stage

Author: Nicole Constable
Publisher: Univ of California Press
ISBN: 9780520937222
Size: 28.95 MB
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By the year 2000 more than 350 Internet agencies were plying the email-order marriage trade, and the business of matching up mostly Western men with women from Asia, Eastern Europe, and Latin America had become an example of globalization writ large. This provocative work opens a window onto the complex motivations and experiences of the people behind the stereotypes and misconceptions that have exploded along with the practice of transnational courtship and marriage. Combining extensive Internet ethnography and face-to-face fieldwork, Romance on a Global Stage looks at the intimate realities of Filipinas, Chinese women, and U.S. men corresponding in hopes of finding a suitable marriage partner. Through the experiences of those engaged in pen pal relationships—their stories of love, romance, migration, and long-distance dating—this book conveys the richness and dignity of women's and men's choices without reducing these correspondents to calculating opportunists or naive romantics. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, Romance on a Global Stage questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis.