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The Edcf Guide To Digital Cinema Production

Author: Lars Svanberg
Publisher: Taylor & Francis
ISBN: 1136035850
Size: 72.29 MB
Format: PDF
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A professional introduction to the end-to-end process of digital filmmaking! The EDCF Guide to Digital Cinema Production sheds light on the ongoing and confusing transition from analog to digital technology in film production. In addition to a complete analysis of technical concerns, this text deals with a number of issues where European and Hollywood priorities differ. It adds fuel to the discussion on "Photo-Chemical Fundamentalism" and the future of traditional film-based cinematography. With special emphasis on new HD production techniques for the big cinema screen, this guide is the one and only resource available from a European perspective. The EDCF Guide to Digital Cinema Production provides film professionals and decisions-makers in European cinema with an excellent basis for discussions on how to handle the transition from analog to digital technology. Look no further for: * Several production case studies, among them Ingmar Bergman's last film "Saraband" (2003) and Lars von Trier's "Dogville" (2003). * Surveys of HD Systems & Cameras and "The 37 MFAQ on HD Production." * Expert reports on Audio Recording for HD and the Digital Intermediate Process. * Detailed European initiatives in Digital Cinema. * An up-to-date survey of the problematic standards situation for Digital Cinema. * A comprehensive look at archiving - the "Achilles Heel" of digital production. * The pros and cons of producing feature films digitally - a unique and professional view of "the agony and ecstacy." Editor-in-Chief Lasse Svanberg is a founding member of EDCF. He was DoP on 14 feature films 1966-81, founded TM (Technolgy & Man) Magazine at the Swedish Film Institute in 1968 and was its Chief Editor until 1998 He was elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor's title by the Swedish Government 2002. He is the author of six books on the history and possible future of film, video and television. The European Digital Digital Cinema Forum (EDCF) was constituted in June 2001 as joint Swedish-British-French effort to establish a European forum for discussions, information exchange and industrial activities in the field of Digital Cinema. This project was initiated because digital production, digital distribution and digital exhibition of film is the most radical technical change facing the film industry since sound film was introduced.

Die Konomie Des Digitalen Kinos

Author: Ursula Reber
Publisher: diplom.de
ISBN: 3832494189
Size: 64.36 MB
Format: PDF
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Inhaltsangabe:Einleitung: Diese Arbeit setzt sich mit der Ökonomie des digitalen Kinos in Deutschland auseinander. Den Anlass zu dieser Themenwahl liefert die weltweit zögerliche Einführung des digitalen Kinos. In den Jahren 2002 und 2003 wurden viele umfangreiche Studien1 zum Potential und den Auswirkungen des digitalen Kinos auf die Filmwirtschaft veröffentlicht. Zeitgleich kündigten die großen Hollywood-Studios den Beginn eines digitalen Rollouts ab 2004, spätestens 2005 an. Im Herbst 2005 ist sowohl international wie auch national noch keine brancheninterne Einigung zum digitalen Roll-out in Sicht. Das renommierte Britische Marktforschungsinstitut Screen Digest betitelte eine seiner zahlreichen Studien zum digitales Kino Working towards digital cinema: Year 4 Limbo not launch . Der Titel zeigt nüchtern das ganze Dilemma der Situation auf. Es herrscht Stagnation innerhalb der Branche, statt Dynamik und Pioniergeist. Seit Definition der technischen Standards durch die Digital Cinema Initiative (DCI) im Juli dieses Jahres, verhindert lediglich die ungeklärte Finanzierungsfrage eine flächendeckende Implementierung der digitalen Kinotechnik. Die Branchenvertreter fordern gegenseitig die Vorgabe eines schlüssigen Geschäftsmodells zur Lösung der Finanzierungsproblematik. Eine öffentliche Diskussion von möglichen Varianten findet seitens der Marktteilnehmer nicht statt. Die Hauptakteure der Digitalisierung, Verleiher und Kinobetreiber, äußern sich nicht konkret zu ihren Vorstellungen von einem Geschäftsmodell hinsichtlich der Finanzierungsbeteiligung und des möglichen Umsetzungsszenarios. Lediglich von Technikanbietern und Werbewirtschaft gibt es konkrete Vorschläge zur Durchführung der digitalen Umrüstung, die jedoch bisher nicht die breite Akzeptanz der Kinobetreiber und Verleiherverbände gefunden haben. Zudem behandeln fast alle wichtigen Branchentreffen seit über drei Jahren das digitale Kino als eines ihrer Schwerpunktthemen. Dazu gehören u.a. die Internationale Konferenz für Film- und Fernsehproduktion Babelsberg 2002, die Medienwoche Berlin-Brandenburg 2003 und ein Expertenseminar der MBA zur Berlinale 2004. Eine MBA-Veranstaltung am 1. September 2005 kündigte sogar schon Praxishilfe für den digitalen Kinoanwender an. Es wird viel veranstaltet und diskutiert. Aber ohne konkrete Entscheidungen der direkten Anwender des digitalen Kinos wird in absehbarer Zeit, wie in den Jahren zuvor, nichts passieren. Dies zeigt wie wichtig es ist ein [...]

High Definition Television

Author: Philip J. Cianci
Publisher: McFarland
ISBN: 0786487976
Size: 11.78 MB
Format: PDF
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The 40-year history of high definition television technology is traced from initial studies in Japan, through its development in Europe, and then to the United States, where the first all-digital systems were implemented. Details are provided about advances in HDTV technology in Australia and Japan, Europe’s introduction of HDTV, Brazil’s innovative use of MPEG-4 and China’s terrestrial standard. The impact of HDTV on broadcast facility conversion and the influx of computer systems and information technology are described, as well as the contributions of the first entrepreneurial HD videographers and engineers. This thoroughly researched volume highlights several of the landmark high-definition broadcasts from 1988 onward, includes input gathered from more than 50 international participants, and concludes with the rollout of consumer HDTV services throughout the world.

Practical Dv Filmmaking

Author: Russell Evans
Publisher: CRC Press
ISBN: 1136067981
Size: 38.98 MB
Format: PDF
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Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from development through to production, post-production and distribution. While the technical tools you need are fully explained, the book concentrates on filmmaking principles throughout, illustrating how these tools can be used to achieve stylistic approaches for innovative filmmaking. The book assumes no background knowledge in either technology or filmmaking and is divided into four key areas: *DEVELOPMENT: turn your idea into a workable script, storyboard and schedule. *PRODUCTION: develop skills to shoot original short films and turn a zero-to-low budget to your advantage. *POST-PRODUCTION: learn basic editing techniques to enhance your original idea using iMovie, Premiere and other popular tools. *DISTRIBUTION: set up a website and use the internet to promote your film. Includes numerous links to useful websites. Plus, top tips for how to enter a film festival and a new chapter on developing a career. Projects enable you to master each step of the process taking you through different aspects of filmmaking today. Gradually you will find out where your strengths lie and how to make the most of them. The book also encourages stylistic development by intruding theoretical approaches to filmmaking. A glossary of terms plus an appendix of resources make this guide a one-stop essential handbook to DV filmmaking practice for beginners and student filmmakers.

Avant Doc

Author: Scott MacDonald
Publisher: Oxford University Press
ISBN: 0199388733
Size: 18.19 MB
Format: PDF, ePub, Mobi
View: 1993
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MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.

The Directory Of Business Information Resources

Author: Richard Gottlieb
Publisher: Grey House Publishing
ISBN: 9781930956759
Size: 32.37 MB
Format: PDF, Mobi
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With 100% verification, over 1,000 new listings and more than 12,000 updates, this 2002 edition of The Directory of Business Information Resources is the most up-to-date source for contacts in over 98 business areas -- from advertising and agriculture to utilities and wholesalers. This carefully researched volume details: the Associations representing each industry; the Newsletters that keep members current; the Magazines and Journals that are important to the trade, the Conventions that are "must attends, " Databases, Directories and Industry Web Sites that provide access to must-have marketing resources. Includes contact names, phone & fax numbers, web sites and e-mail addresses. This one-volume resource is a gold mine of information and would be a welcome addition to any reference collection.

Cinema Studies

Author: Susan Hayward
Publisher: Routledge
ISBN: 0415538130
Size: 79.57 MB
Format: PDF, ePub, Docs
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Cinema Studies: The Key Concepts is an essential guide for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study and arguably the greatest art form of modern times. Now fully revised and updated for its fourth edition, the book includes new topical entries such as: CGI Convergence Cult cinema Digital cinema/Post-digital cinema Dogme 95• Movement-image/Time-image Quota quickies 3-D technology