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The Expert Versus The Object

Author: Ronald D. Spencer
Publisher: Oxford University Press
ISBN: 0199881960
Size: 64.77 MB
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The authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it "real" or "original" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is an expert who evaluates the "rightness" of a work based on much careful scrutiny of many works by an artist and familiarity with that artist's usual manner of working with materials. In determining provenance, a researcher traces the physical object from the artist through a chain of ownership to the present owner--simple enough in concept, though it assumes that the documentation is not faked or inaccurate. The goal is to ensure that the object is the same one that left the artist's hand. Scientific testing, although sometimes useful, is often longer on promise than result. Dating paint or wood samples, for instance, can show that a painting was made in Rembrandt's lifetime, but it cannot prove that it is by Rembrandt's hand. If expert opinion is divided, and large sums of money are involved, a dispute over authenticity may end up in a court of law, where evaluation of expert opinion evidence can be problematic. The essays in this book clarify the nature of the methods outlined above and explain, based on case law, the present status of authentication issues in court. Contributors include experts from Christie's, London; Sotheby's, New York; and the former director of the Frick Collection; as well as leading art historians and art dealers; an art conservator; a forensic graphologist; a philanthropist and collector; and a specialist in French art law. Their collective knowledge on issues of authenticity will be invaluable for anyone interested in the world of visual art.

The Sale Of Misattributed Artworks And Antiques At Auction

Author: Anne Laure Bandle
Publisher: Edward Elgar Publishing
ISBN: 1786431017
Size: 69.29 MB
Format: PDF, Kindle
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The glamour and mystery of the art auction, gathering interested buyers from across the globe, makes it one of the most fascinating marketplaces in existence. ‘Sleepers’, artworks or antiques that have been undervalued and mislabelled due to an expert’s oversight and consequently undersold, appear regularly. This fascinating new book provides the first extensive study of the phenomenon of sleepers through an in-depth analysis of the contractual relationships, liability and remedies that arise in the context of auction sales.

Die Realit T Der Kunst

Author: Susanne Knaller
Publisher: Verlag Wilhelm Fink
ISBN: 3846759260
Size: 34.30 MB
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Susanne Knaller diskutiert Programme und Theorien zu Literatur, Kunst und Fotografie, die sich dem Verhältnis von Realität und Künsten stellen. Sie macht einen Vorschlag, den Zusammenhang von Kunst und Wirklichkeit in der Moderne neu zu fassen. Knaller zeigt, dass die wechselvolle, sich ständig verändernde Relation von Realität und Künsten zugleich immer auch bestimmte Konstanten aufweist. Anhand von wichtigen Schlüsselbegriffen wie z. B. Mimesis, Realismus, Illusion, Authentizität, Dokumentation, Kopie, Original und Materialität wird erstmalig dieses Spannungsverhältnis anhand von Programmatiken zu Literatur, Kunst und Fotografie vom 18. Jahrhundert bis heute untersucht. In diesem Buch artikuliert sich folglich nicht nur ein historisches, sondern auch ein theoretisches Interesse. Es macht einen Vorschlag, den Zusammenhang von moderner Kunst und Realität neu zu sehen.

Shaky Ground

Author: Elizabeth Marlowe
Publisher: A&C Black
ISBN: 1472502094
Size: 67.28 MB
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The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

Art And Crime

Author: Noah Charney
Publisher: Praeger Publishers
Size: 20.13 MB
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This book examines the world of art crime in its many manifestations and considers the consequences of these crimes.

Art Cultural Heritage And The Law

Author: Patty Gerstenblith
Size: 26.49 MB
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Art, Cultural Heritage, and the Law is one of the first legal casebooks to address the rapidly emerging fields of art and cultural heritage law, utilizing an interdisciplinary approach. This book addresses artists¿ rights (freedom of expression, copyright, moral rights and rights in architectural works and historic preservation); the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art works, and the role of museums), and finally cultural heritage (the fate of art works and cultural objects in time of war, the international trade in art works and cultural objects, the archaeological and underwater heritage of the United States, and indigenous cultures, focusing on restitution of Native American cultural objects and human remains, and appropriation of indigenous culture). The new edition, available summer 2008, will retain the basic structure of the first edition while updating case law, policies and events. It will include recent materials and developments, such as new cases (Malevich v. City of Amsterdam, resolution of the Barnes dispute, recent deaccessioning disputes, Iran v. Barakat, U.S. v. Ligon), recent restitutions of ancient art works from US museums to Italy and other countries, and new museum policies. There will also be an expansion of treatment of underwater cultural heritage, historic preservation, and archaeological resources.