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The Femme Fatale Images Histories Contexts

Author: Helen Hanson
Publisher: Springer
ISBN: 0230282016
Size: 62.65 MB
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These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.

Rammstein On Fire

Author: John T. Littlejohn
Publisher: McFarland
ISBN: 1476613052
Size: 32.37 MB
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This volume contains 13 original essays exploring Rammstein’s stage performance and recorded works from multiple academic perspectives. Topics range from Rammstein’s connection with 19th century German literature and their East German heritage to cannibalism and the supernatural. The panoramic view of approaches to Rammstein’s music and performance goes beneath the surface and provides fan and scholar alike with a deeper appreciation for the band.

A Companion To Film Noir

Author: Andre Spicer
Publisher: John Wiley & Sons
ISBN: 1118523717
Size: 40.21 MB
Format: PDF, ePub
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An authoritative companion that offers a wide-ranging thematicsurvey of this enduringly popular cultural form and includesscholarship from both established and emerging scholars as well asanalysis of film noir's influence on other media includingtelevision and graphic novels. Covers a wealth of new approaches to film noir and neo-noirthat explore issues ranging from conceptualization to cross-mediainfluences Features chapters exploring the wider ‘noirmediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir,from the 1920s to the present and in a variety of nationalcinemas Includes contributions from both established and emergingscholars

The Contemporary Femme Fatale

Author: Katherine Farrimond
Publisher: Routledge
ISBN: 131720817X
Size: 61.85 MB
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The femme fatale occupies a precarious yet highly visible space in contemporary cinema. From sci-fi alien women to teenage bad girls, filmmakers continue to draw on the notion of the sexy deadly woman in ways which traverse boundaries of genre and narrative. This book charts the articulations of the femme fatale in American cinema of the past twenty years, and contends that, despite her problematic relationship with feminism, she offers a vital means for reading the connections between mainstream cinema and representations of female agency. The films discussed raise questions about the limits and potential of positioning women who meet highly normative standards of beauty as powerful icons of female agency. They point towards the constant shifting between patriarchal appropriation and feminist recuperation that inevitably accompanies such representations within mainstream media contexts.

Unfinished Business

Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1442668326
Size: 13.33 MB
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Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy. Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished.

Femininity In The Frame

Author: Melanie Bell
Publisher: I.B.Tauris
ISBN: 0857712632
Size: 49.94 MB
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It’s widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the ‘happy housewife’. Femininity in the Frame is a sharply observant account of how British cinema engaged with femininity and women’s roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including The Perfect Woman, Young Wives’ Tale,The Weak and the Wicked and A Town Like Alice, to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not untilnow been recognised.

Stars And Masculinities In Contemporary Italian Cinema

Author: C. O'Rawe
Publisher: Springer
ISBN: 1137381477
Size: 11.95 MB
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Stars and Masculinities in Contemporary Italian Cinema is the first book to explore contemporary male stars and cinematic constructions of masculinity in Italy. Uniting star analysis with a detailed consideration of the masculinities that are dominating current Italian cinema, the study addresses the supposed crisis of masculinity.

Rural Cinema Exhibition And Audiences In A Global Context

Author: Daniela Treveri Gennari
Publisher: Springer
ISBN: 3319663445
Size: 13.17 MB
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This volume will be the first work to consider rural cinema-going from a global perspective. Aiming to provide a rich and wide-ranging introduction to this growing field and to further develop some of its key questions, this volume is an innovative interjection that brings North American and European ruralities into dialogue with contributions on Latin America, Africa, Australia, and Asia. This volume offers a structure for understanding the framework of rural cinema-going, moving beyond a Western focus that is essential for thinking through questions of the rural, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world.

Watching Films

Author: Karina Aveyard
Publisher: Intellect L & D E F A E
ISBN:
Size: 13.90 MB
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With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this book centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? --