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The Independent Filmmaker S Law And Business Guide

Author: Jon M. Garon
Publisher: Chicago Review Press
ISBN: 1569763976
Size: 14.55 MB
Format: PDF, Kindle
View: 2942
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Preparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the problems generated by a blockbuster hit: sound tracks, merchandizing, and licensing. Six appendices provide sample contracts, copyright forms and circulars, Writer's Guild of America definitions for writing credits, and studio contact information.

The Independent Film Producers Survival Guide A Business And Legal Sourcebook

Author: Gunnar Erickson
Publisher: Schirmer Trade Books
ISBN: 0857124986
Size: 34.48 MB
Format: PDF, Mobi
View: 7507
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In this comprehensive guidebook, three experienced entertainment lawyers tell you everything you need to know to produce and market an independent film from the development process to deal making, financing, setting up the production, hiring directors and actors, securing location rights, acquiring music, calculating profits, digital moving making, distribution, and marketing your movie.

The Insider S Guide To Film Finance

Author: Philip Alberstat
Publisher: Taylor & Francis
ISBN: 113604129X
Size: 73.42 MB
Format: PDF, Docs
View: 4097
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Financing an independent feature film production is a highly complex process. This book demystifies the legal and commercial implications of a film from start to finish. It provides a detailed survey of each of the processes and players involved, and analyses of the legal and commercial issues faced by all of the participants in a film financing transaction. Packed with legal advice and straight forward explanations this is an essential reference for filmmakers worldwide. With contributions from leading professionals around the world, and an up-to-date international approach, this is an invaluable tool for producers, and others involved in the film industry. Includes: Case studies, Sample Recoupment Schedules, Alternative Financing Models, Glossary of Film Financing and Banking Terms Philip Alberstat is a media finance and production lawyer specialising in film, television and broadcasting. He has worked on films such as The 51st State, Goodbye Mr Steadman, Tooth and numerous television programmes and series. He is on the editorial board of Entertainment Law Review and is the author of The Independent Producers Guide to Film and TV Contracts (2000), and Law and the Media (2002). Philip is involved in raising finance for film and television productions and negotiating and structuring film and television deals. He undertakes corporate and commercial work and handles the intellectual property aspects of broadcasting and finance transactions. He has also executive produced numerous film and television productions. He won an Emmy Award in 2004 as an Executive Producer of the Film, "The Incredible Mrs. Ritchie". Philip joined Osborne Clarke as a partner in February 2002. Prior to that he was Head of Legal and Business Affairs with one of the largest independent TV production companies in the UK. He was previously Head of Media at Baker & McKenzie and began his career at Olswang. He was winner of the Lawyer/Hifal Award for Solicitor of the year in 1997 and is listed in Legal Experts in the area of Film Finance/Media.

Entertainment Law And Practice

Author: Jon M. Garon
Publisher:
ISBN:
Size: 23.36 MB
Format: PDF, ePub, Docs
View: 2882
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This casebook provides a comprehensive survey of the primary entertainment law practice areas, including theater, motion pictures, music, and television. Although the book does not attempt to serve as a casebook for copyright, First Amendment, or trademark law, each of these legal doctrines are covered in sufficient fashion that a student without prior exposure to one or more of these doctrinal areas can still participate in an Entertainment Law course.The book addresses both the practical aspects of entertainment and the fundamental underpinnings of entertainment law. The selection of topics is based on what practitioners face, and the materials are selected to build a solid theoretical basis for that topic.This is the only book in the entertainment law field to address and integrate the need to teach the practitioner's issues with the jurisprudential framework necessary to make the course appropriate to the law school curriculum. It is especially useful for adjunct professors teaching the course because of its organization around the relevant issues to the practitioner.

Think Outside The Box Office

Author: Jon Reiss
Publisher: Hybrid Cinema
ISBN: 9780982576205
Size: 22.60 MB
Format: PDF, ePub
View: 4897
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As the digital revolution has democratised film production, a new hybrid model of distribution is the way independent filmmakers can take control of their own distribution. This approach is not just DIY or Web-based - it combines the best techniques from each distribution arena, old and new. In Think Outside the Box Office, Reiss explains audience identification and targeting, negotiating split-rights agreements, the new role of film festivals and more.

The Budget Book For Film And Television

Author: Robert Koster
Publisher: Taylor & Francis
ISBN: 0240806204
Size: 23.60 MB
Format: PDF, ePub, Docs
View: 5494
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This guidebook is intended to help both the novice and the experienced producer to create and fine-tune their budgets. Based on the top budgeting software packages, Movie Magic and EP Budgeting, this book takes the reader through each line item in the budgeting software and describes the background for that item, how it fits into the overall production, and any issues or pitfalls that may arise from it. This book is a useful reference for independent filmmakers who depend on accurate, easy-to-understand budgeting methods to seek funding for their projects. Learn how to create a film or TV budget, line by line Includes a tutorial on Movie Magic and EP Budgeting

The American Bar Association S Legal Guide To Independent Filmmaking

Author: Michael C. Donaldson
Publisher: Amer Bar Assn
ISBN: 9781627229272
Size: 72.19 MB
Format: PDF, Mobi
View: 2670
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This book is the perfect resource for burgeoning film artists with an idea, in need of a guide to get them through inception. It s a practical, prescriptive book with all the contracts, employment and nondisclosure agreements, and licensing deals you ll need. Each chapter contains a general road map for the phase of filmmaking covered by that chapter, including the relevant forms and contracts, which come with plenty of explanatory info and some select negotiating tips."