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The Music Industry

Author: Patrik Wikström
Publisher: John Wiley & Sons
ISBN: 0745645704
Size: 29.91 MB
Format: PDF
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The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the Internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This thoroughly revised and updated new edition provides an international overview of the music industry and its future prospects in the world of global entertainment. Patrik Wikström illuminates the workings of the music industry, and captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. New to this second edition are expanded sections on the structure of the music industry, online business models and the links between social media and music. Engaging and comprehensive, The Music Industry will be a must-read for students and scholars of media and communication studies, cultural studies, popular music, sociology and economics.

Business Innovation And Disruption In The Music Industry

Author: Patrik Wikström
Publisher: Edward Elgar Publishing
ISBN: 1783478152
Size: 74.81 MB
Format: PDF, Docs
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Patrik Wikström and Robert DeFillippi bring together innovative, multidisclipinary perspectives on business innovation and disruption in the music industry. Authors from fields such as cultural studies, economics, management, media studies, musicology and human geography in North America, Europe and Asia focus on the “second wave” of digital disruption and the transformation of the music industry. The chapters are structured into three parts: the first part contextualizes changes in the music industry that have been driven by digital technologies since the end of the 1990s. The second part unpacks the impact of these disruptive technologies on business models in specific industry sectors and geographies, and the third and final part examines questions related to the emergence of subscription music services. Concluding chapters link back to the role of hackers as a subversive and innovative force in the music economy and examine how hacker creativity can be facilitated and encouraged to generate the next big music industry innovation. This multifaceted look at the music business will serve as a resource for both undergraduate and graduate students, as well as established scholars and industry professionals.

Selling Digital Music Formatting Culture

Author: Jeremy Wade Morris
Publisher: Univ of California Press
ISBN: 0520287932
Size: 43.67 MB
Format: PDF, ePub
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Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the “digital music commodity,” Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music’s meanings and uses. Through case studies of five key technologies—Winamp, metadata, Napster, iTunes, and cloud computing—this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music’s encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.

Danger Mouse S The Grey Album

Author: Charles Fairchild
Publisher: Bloomsbury Publishing USA
ISBN: 1623561590
Size: 16.47 MB
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This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.

Alles Was Sie Ber Das Musikbusiness Wissen M Ssen

Author: Donald S. Passman
Publisher:
ISBN: 9783791029870
Size: 14.64 MB
Format: PDF, ePub
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Wer eine Karriere im Musikgeschäft anstrebt, kommt an diesem Buch nicht vorbei! Ob bei der Planung eines Auftritts, bei Vertragsverhandlungen oder der Verwaltung der Finanzen - im Musikbusiness lauern viele rechtliche und finanzielle Fallen. Branchen-Kenner Wolfram Herrmann hat den US-Bestseller des Staranwalts Donald S. Passman auf die Musik-Szene in Deutschland, Österreich und der Schweiz übertragen. In diesem Ratgeber enthüllen die beiden Experten ihr umfangreiches Insiderwissen - fundiert und eingängig. "Hätte ich dieses Buch bereits zu Beginn meiner Karriere gehabt, wäre ich heute zehn Mal reicher und hätte ein Vermögen an Anwaltsgebühren gespart." Ed Bicknell, Manager der 'Dire Straits'

Kreativit T Und Innovation In Der Musikindustrie

Author: Peter Tschmuck
Publisher: BoD – Books on Demand
ISBN: 3706518368
Size: 54.98 MB
Format: PDF, Mobi
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Warum wurde der Jazz ausgerechnet in den 1920er Jahren zum dominanten Popularmusikstil? Was hat es mit der Rock n Roll-Revolution auf sich? Warum fanden Heavy Metal, Punk Rock und HipHop den Weg von diversen Subkulturen in die musikindustrielle Verwertung? Welche Auswirkungen haben neue Technologien und das Internet auf das Musikschaffen zu Beginn des 21. Jahrhunderts? Diese und ähnliche Fragen versucht Kreativität und Innovation in der Musikindustrie zu beantworten. Das Buch versteht sich aber nicht nur als eine Geschichte der Musikindustrie seit der Erfindung des Phonographen durch Thomas Alva Edison im Jahr 1877, sondern bietet auch ein Erklärungsmodell, wie ästhetische, technologische, legistische, wirtschaftliche, soziale, politische etc. Veränderungen ineinander griffen und Strukturbrüche in der Musikindustrie auslösten. Zur Anwendung kommt ein integriertes Kreativitäts- und Innovationsmodell, mit dessen Hilfe so komplexe Wandlungsprozesse wie zum Beispiel die Entstehung der Rockmusik Mitte der 1950er Jahre ganzheitlich erklärt werden können. Das Modell ist aber auch der Ausgangspunkt für die Analyse gegenwärtiger Wandlungsprozesse in der Musikindustrie rund um die Themen MP3, Musiktauschbörsen im Internet und neue Geschäftsmodelle, die den Zugang zur Musik zur Dienstleistung machen. All das sind Indizien für einen erneuten Strukturbruch in der Musikindustrie, der als Teil der digitalen Revolution verstanden werden kann und ausführlich in diesem Buch zur Sprache kommt.

The Content Machine

Author: Michael Bhaskar
Publisher: Anthem Press
ISBN: 0857281224
Size: 68.10 MB
Format: PDF, ePub, Mobi
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This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in times of crisis. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, and fusing media theory and business experience, ‘The Content Machine’ offers a new understanding of content, publishing and technology, and defiantly answers those who contend that publishing has no future in a digital age.

Media Control

Author: Noam Chomsky
Publisher: Piper ebooks
ISBN: 349296253X
Size: 53.14 MB
Format: PDF, ePub
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Nicht erst im Irakkrieg spielten die US-Massenmedien eine fatale Rolle als Propagandainstrumente der Außenpolitik. Noam Chomsky, einer der wichtigsten Querdenker der USA, wirft den Medien vor, unbequeme Tatsachen bereitwillig zu verschleiern und die Verbrechen des »Feindes« wie mit der Lupe zu betrachten. Obwohl sie keiner direkten staatlichen Kontrolle unterliegen, verstehen sich die Massenmedien in den USA nicht als kritische Gegner, sondern als Partner der Regierung und ihrer hegemonialen Ziele.

Musikwirtschaftsforschung

Author: Peter Tschmuck
Publisher: Springer-Verlag
ISBN: 3658193999
Size: 80.27 MB
Format: PDF, ePub
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Die Musikwirtschaftsforschung versteht sich als Inter-Disziplin an der Schnittstelle wirtschaftlicher, künstlerischer, insbesondere musikalischer, kultureller, sozialer, rechtlicher, technologischer aber auch darüber hinausgehender Entwicklungen, die zur Entstehung, Verbreitung und Rezeption des Kulturgutes Musik beitragen. Der Sammelband beinhaltet Beiträge mit unterschiedlichen fachdisziplinären und methodischen Zugängen und ist Ergebnis eines Workshops, der Anfang Juli 2016 am Institut für Kulturmanagement und Kulturwissenschaft (IKM) der Universität für Musik und darstellende Kunst Wien stattgefunden hat.

The Oxford Handbook Of Mobile Music Studies

Author: Sumanth Gopinath
Publisher: Oxford University Press
ISBN: 0195375726
Size: 76.72 MB
Format: PDF, Kindle
View: 2010
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The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.