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Singer S Repertoire

Author: Berton Coffin
Publisher: Rowman & Littlefield
ISBN: 9780810857094
Size: 25.38 MB
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A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher.

Coffin S Sounds Of Singing

Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 1461657547
Size: 60.46 MB
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Now in paperback! Defines the vowel color changes in chromatic progressions for all voices and tells how singing principles can be used by relying on the ear, the eye, and the sense of vibration in the body. (Price includes vowel chart.) Cloth edition [0-8108-1933-3] published in 1987. Paperback available April 2002.

Women S Movements In Post Arab Spring North Africa

Author: Fatima Sadiqi
Publisher: Springer
ISBN: 113750675X
Size: 43.39 MB
Format: PDF, ePub
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Centering on women's movements before, during, and after the revolutions, Women's Movements in Post-"Arab Spring" North Africa highlights the broader sources of authority that affected the emergence of new feminist actors and agents and their impact on the sociopolitical landscapes of the region.

Singer S Repertoire Part Iv

Author: Berton Coffin
Publisher: Rowman & Littlefield
ISBN: 0810857154
Size: 30.24 MB
Format: PDF, ePub
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Now in paperback! A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher. The complete work represents the living song repertoire of today drawn from recital programs, recordings, broadcasts, telecasts, and other sources, and is comprised of Part I: Coloratura, Lyric and Dramatic Soprano, Part II: Mezzo Soprano and Contralto, Part III: Lyric and Dramatic Tenor, and Part IV: Baritone and Bass.

Teaching The Bible Through Popular Culture And The Arts

Author: Mark Roncace
Publisher: Society of Biblical Lit
ISBN: 1589832442
Size: 66.37 MB
Format: PDF, Kindle
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This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.

Historical Vocal Pedagogy Classics

Author: Berton Coffin
Publisher: Scarecrow Press
ISBN: 0810844125
Size: 63.81 MB
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The late Berton Coffin's considerable research in areas related to the art of singing has resulted in these reviews, with interpretations of vocal pedagogy classics in the light of contemporary observations and findings. This volume contains a series of eighteen book reviews of the master singing teachers from Tosi (1723) to L. Lehmann (1914). Paperback edition available 2002.

Cultivating Music In America

Author: Ralph P. Locke
Publisher: Univ of California Press
ISBN: 9780520083950
Size: 26.76 MB
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"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America

Pink Noises

Author: Tara Rodgers
Publisher: Duke University Press
ISBN: 0822394154
Size: 20.56 MB
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Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)