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The Sounds Of Poetry

Author: Robert Pinsky
Publisher: Farrar, Straus and Giroux
ISBN: 1466878495
Size: 53.82 MB
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The Poet Laureate's clear and entertaining account of how poetry works. "Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing." As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart. This ideal introductory volume belongs in the library of every poet and student of poetry.

The Sounds Of Poetry

Author: Robert Pinsky
Publisher: Macmillan
ISBN: 0374526176
Size: 13.74 MB
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America's Poet Laureate offers a journey inside the world of poetry to explore the fundamental workings of this literary art, explaining how different sounds can be used to express meaning and images

The Sounds Of Poetry

Author: Robert Pinsky
Publisher: Macmillan
ISBN: 0374266956
Size: 74.42 MB
Format: PDF
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America's Poet Laureate offers a fascinating journey inside the world of poetry to explore the fundamental workings of this literary art, explaining how different sounds can be used to express meaning and images. 25,000 first printing.

The Sound Of Scampering

Author: Dainon Moody
Publisher: iUniverse
ISBN: 9781475959017
Size: 52.17 MB
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Author Dainon Moody is a self-proclaimed wanderer on the fabled road of life. In The Sound of Scampering, his first collection of poetry, Moody explores the unique world around him through verse rich in imagery and sensory detail extracted from his life experiences over the course of more than twenty years. While many of Moodys poems cover relatable subjects, such as lost love, death, friendship, and nature, others offer an engaging, lighter look at life. He recalls what it is like to ride a runt calf, travel back in time to visit his newly wed parents, and sell roadside zucchini. With unguarded honesty, Moody contemplates the yearnings of his heart, his understandings of love, and his hopes for his future, ultimately encouraging others to do the same with their own unfinished lives. My grandpa went quickly. He forgot his granddaughters name short months before she was by his hospital bed, playing hymns for him on her violin. And, when they laid him in his grave, soldiers shooting up the air, a folded American flag, my cry was one I hadnt the time to practice. I lost all strength, some oxygen and time nearby sisters keeping me from falling my chest caving in. Its the first and last time I understand the depth of sadness that gets forced into a sob. from Three Cries (and None for Help)

The Sound Of Poetry The Poetry Of Sound

Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 0226657442
Size: 47.65 MB
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Sound—one of the central elements of poetry—finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkinbreak that critical silence to readdress some of thefundamental connections between poetry and sound—connections that go far beyond traditional metrical studies. Ranging from medieval Latin lyrics to a cyborg opera, sixteenth-century France to twentieth-century Brazil, romantic ballads to the contemporary avant-garde, the contributors to The Sound of Poetry/The Poetry of Sound explore such subjects as the translatability of lyric sound, the historical and cultural roles of rhyme,the role of sound repetition in novelistic prose, theconnections between “sound poetry” and music, between the visual and the auditory, the role of the body in performance, and the impact of recording technologies on the lyric voice. Along the way, the essaystake on the “ensemble discords” of Maurice Scève’s Délie, Ezra Pound’s use of “Chinese whispers,” the alchemical theology of Hugo Ball’s Dada performances, Jean Cocteau’s modernist radiophonics, and an intercultural account of the poetry reading as a kind of dubbing. A genuinely comparatist study, The Sound of Poetry/The Poetry of Sound is designed to challenge current preconceptions about what Susan Howe has called “articulations of sound forms in time” as they have transformed the expanded poetic field of the twenty-first century.

How To Read A Poem

Author: Edward Hirsch
Publisher: Houghton Mifflin Harcourt
ISBN: 9780547543727
Size: 61.75 MB
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"Read a poem to yourself in the middle of the night. Turn on a single lamp and read it while you're alone in an otherwise dark room or while someone sleeps next to you. Say it over to yourself in a place where silence reigns and the din of culture—the constant buzzing noise that surrounds you—has momentarily stopped. This poem has come from a great distance to find you." So begins this astonishing book by one of our leading poets and critics. In an unprecedented exploration of the genre, Hirsch writes about what poetry is, why it matters, and how we can open up our imaginations so that its message—which is of vital importance in day-to-day life—can reach us and make a difference. For Hirsch, poetry is not just a part of life, it is life, and expresses like no other art our most sublime emotions. In a marvelous reading of world poetry, including verse by such poets as Wallace Stevens, Elizabeth Bishop, Pablo Neruda, William Wordsworth, Sylvia Plath, Charles Baudelaire, and many more, Hirsch discovers the meaning of their words and ideas and brings their sublime message home into our hearts. A masterful work by a master poet, this brilliant summation of poetry and human nature will speak to all readers who long to place poetry in their lives but don't know how to read it.

Singing School Learning To Write And Read Poetry By Studying With The Masters

Author: Robert Pinsky
Publisher: W. W. Norton & Company
ISBN: 0393240703
Size: 16.36 MB
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“Magnificent . . . poems to inspire [with] brief and brilliant, offhand notes about how to read them.”—Alan Cheuse, NPR Quick, joyful, and playfully astringent, with surprising comparisons and examples, this collection takes an unconventional approach to the art of poetry. Instead of rules, theories, or recipes, Singing School emphasizes ways to learn from great work: studying magnificent, monumentally enduring poems and how they are made— in terms borrowed from the “singing school” of William Butler Yeats’s “Sailing to Byzantium.” Robert Pinsky’s headnotes for each of the 80 poems and his brief introductions to each section take a writer’s view of specific works: William Carlos Williams’s “Fine Work with Pitch and Copper” for intense verbal music; Emily Dickinson’s “Because I Could Not Stop for Death” for wild imagination in matter-of-fact language; Robert Southwell’s “The Burning Babe” for surrealist aplomb; Wallace Stevens’s “The House Was Quiet and the World Was Calm” for subtlety in meter. Included are poems by Aphra Behn, Allen Ginsberg, George Herbert, John Keats, Mina Loy, Thomas Nashe, and many other master poets. This anthology respects poetry’s mysteries in two senses of the word: techniques of craft and strokes of the inexplicable.

Poetic Rhythm

Author: Derek Attridge
Publisher: Cambridge University Press
ISBN: 9780521413022
Size: 74.95 MB
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This is the first introduction to rhythm and meter that begins where students are: as speakers of English familiar with the rhythms of ordinary spoken language, and of popular verse such as nursery rhymes, songs, and rap. Poetic rhythm builds on this knowledge and experience, taking the reader from the most basic questions about the rhythms of spoken English to the elaborate achievements of past and present poets. Terminology is straightforward, the simple system of scansion that is introduced is suitable for both handwriting and computer use, and there are frequent practical exercises. Chapters deal with the elements of verse, English speech rhythms, the major types of metrical poetry, free verse, and the role of sense and syntax. Poetic rhythm will help readers of poetry experience and enjoy its rhythms in all their power, subtlety, and diversity, and will serve as an invaluable tool for those who wish to write or discuss poetry in English at a basic as well as a more advanced level.

The Sound Of Nonsense

Author: Richard Elliott
Publisher: Bloomsbury Publishing USA
ISBN: 1501324551
Size: 69.17 MB
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In The Sound of Nonsense, Richard Elliott highlights the importance of sound in understanding the 'nonsense' of writers such as Lewis Carroll, Edward Lear, James Joyce and Mervyn Peake, before connecting this noisy writing to works which engage more directly with sound, including sound poetry, experimental music and pop. By emphasising sonic factors, Elliott makes new and fascinating connections between a wide range of artistic examples to ultimately build a case for the importance of sound in creating, maintaining and disrupting meaning.

Best Of The Best American Poetry

Author: David Lehman
Publisher: Simon and Schuster
ISBN: 1451658877
Size: 59.75 MB
Format: PDF
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Presents an anthology of one hundred top-selected poems culled from the poetry publication's first quarter century, and offers insight into the art form's flourishing status.