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The Woman S Film Of The 1940s

Author: Alison L. McKee
Publisher: Routledge
ISBN: 1135053707
Size: 22.11 MB
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This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

Brief Encounter

Author: Richard Dyer
Publisher: Bloomsbury Publishing
ISBN: 1844578798
Size: 79.36 MB
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Brief Encounter (1945), adapted from Noel Coward's play Still Life, is a classic of British cinema – a tale of impossible love between a married woman and a man she meets while waiting for a train. Though it's a film made by men, it is the woman's voice we hear recounting the story of a small-town love affair and her renunciation of it. In his lucid analysis of the film, Richard Dyer explores how its depiction of powerful feelings kept under wraps is a definitive example of a particularly English style of emotional restraint, but also how it spoke to a gay audience for whom this subject – forbidden love between ordinary people – had a special resonance. This reissued edition features original cover artwork by Rania Moudaress and a substantial new foreword that revisits the film and recent readings of it, covering its enduring legacy and adaptation for theatre and television.

India S New Independent Cinema

Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1317290747
Size: 43.87 MB
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This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

Horror Film And Affect

Author: Xavier Aldana Reyes
Publisher: Routledge
ISBN: 1317748794
Size: 56.59 MB
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This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.

The Gendered Score Music In 1940s Melodrama And The Woman S Film

Author: Heather Laing
Publisher: Routledge
ISBN: 1351544055
Size: 59.40 MB
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Heather Laing examines, for the first time, the issues of gender and emotion that underpin the classical style of film scoring, but that have until now remained unquestioned and untheorized, thus providing a benchmark for thinking on more recent and alternative styles of scoring. Many theorists have discussed this type of music in film as a signifier of emotion and 'the feminine', a capacity in which it is frequently associated with female characters. The full effect of such an association on either female or male characterization, however, has not been examined. This book considers the effects of this association by progress through three stages: cultural-historical precedents, the generic parameters of melodrama and the woman's film, and the narrativization of music in film through diegetic performance and the presence of musicians as characters. Case studies of specific films provide textual and musical analyses, and the genres of melodrama and the woman's film have been chosen as representative not only of the epitome of the Hollywood scoring style, but also of the narrative association of women, emotion and music. Laing leads to the conclusion that music functions as more than merely a signifier of emotion. Rather, it takes a crucial role in both indicating and determining how emotion is actually understood as part of the construction of gender and its representation in film.

The Black Studies Reader

Author: Jacqueline Bobo
Publisher: Routledge
ISBN: 1135942579
Size: 25.38 MB
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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.