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Theories Of Art

Author: Moshe Barasch
Publisher: Routledge
ISBN: 1135199663
Size: 13.91 MB
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First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Modern Theories Of Art From Impressionism To Kandinsky

Author: Moshe Barasch
Publisher: NYU Press
ISBN: 081471272X
Size: 72.99 MB
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"Bill Orr has produced a handy compendium of statistics, with cogent explanations, on the world economy in the 1990s. National incomes, output, trade, asset markets, debt, foreign aid and population are presented by nation, region and level of development. As a tool, it belongs in the office, study, or newsroom next to the dictionary, and the atlas." --Charles P. Kindleberger, Professor of Economics, Emeritus Massachusetts Institute of Technology The Global Economy in the 90s provides a broad statistical guide for all of us in an era of increasing international interdependence: a much-needed contribution. --Alfred J. Malabre, Jr., author of Within Our Means "Talk about timely! Like a light in the dark swamp of geo- political-governmental charts, graphs, and tables. [Orr] is there standing over your shoulder, showing you how he interprets each and every graph, and before you know it, you've got your calculator out, and you start to see things that you never saw before. It's addictive. No boring textbook, this book is a masterfully navigated experience through a very confusing jungle. Orr has taken the statistics from dozens of sources and recast them into graphs that are so easy to read. Try it yourself, open the book anywhere. This is a real gem." &#;Richard Barnaby, C.P.A., C.D.P.President, Business Support Services, Inc.Software for the Petroleum Trading Industry The Global Economy in the 1990s presents, in one comprehensive volume, essential facts and analyses of all aspects of an increasingly integrated global economy. Filled with hundreds of lively graphs that reveal trends and relationships, hundreds of tables that provide concrete numbers for individual research, and succinct short essays that put each facet of economic activity in its global context, this invaluable reference is derived and enhanced from over 20 official sources--including the World Bank, International Monetary Fund, GATT, United Nations, the U.S. Federal Reserve System, the U.S. Central Intelligence Agency, and the European Community.

Abstraktion Und Einfuhlung

Author: Wilhelm Worringer
Publisher: Wentworth Press
ISBN: 9780270042658
Size: 27.71 MB
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fechner

Author: Christian G. Allesch
Publisher: Springer-Verlag
ISBN: 366257313X
Size: 55.38 MB
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Was Menschen als schön empfinden, ist seit rund 150 Jahren nicht nur Gegenstand philosophischen Nachdenkens sondern auch systematischer experimenteller Untersuchungen. Dafür hat der Leipziger Philosoph und Experimentalpsychologe Gustav Theodor Fechner (1801-1887) entscheidende Grundlagen geschaffen. Die vorliegende Neuausgabe seiner 1876 veröffentlichten Vorschule der Aesthetik verbindet den Originaltext dieses Werks mit einem ausführlichen editorischen Kommentar, der die historischen Entstehungsbedingungen seines empirischen Zugangs zur Ästhetik, die Intentionen und das Methodenverständnis Fechners und die zwiespältige Rezeption seines Werks in der Fachwelt seiner Zeit nachvollziehbar macht. Diese werkgeschichtliche Analyse stützt sich über den Originaltext und zeitgenössische Kommentare hinaus auch auf die erstmals 2004 veröffentlichten Tagebücher Fechners, aus denen der persönliche Zugang des Autors zu seinem Forschungsgegenstand ersichtlich wird.