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Thinking About The Elgin Marbles

Author: John Henry Merryman
Publisher: Kluwer Law International B.V.
ISBN: 9041128751
Size: 35.51 MB
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The new edition of this insightful work begins with a critical reexamination of the rival Greek and British claims to the Elgin Marbles. That case study identifies the questions that continue to dominate the growing international debate about cultural property policy and which are subsequently explored in a newly expanded array of essays. The work goes on to pay particular attention to the law and policy relating to cultural property export controls and the evolution and development of the 1995 UNIDROIT Convention on the Return of Stolen and Illegally Exported Cultural Property. The second part of this highly regarded book addresses a number of contemporary art law issues in essays on counterfeit art, the moral rights of artists, the artist's resale right (droit de suite),the litigation over the Mark Rothko estate, and problems of museum trustee negligence, conflict of interests, and misuse of inside information.

The Idea Of Cultural Heritage

Author: Derek Gillman
Publisher: Cambridge University Press
ISBN: 0521192552
Size: 45.75 MB
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This book reviews the competing claims that works of art belong either to a particular people and place, or to humankind.

Handbook On The Economics Of Cultural Heritage

Author: Ilde Rizzo
Publisher: Edward Elgar Publishing
ISBN: 0857931008
Size: 41.47 MB
Format: PDF, ePub, Docs
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Cultural heritage is a complex and elusive concept, constantly evolving through time, and combining cultural, aesthetic, symbolic, spiritual, historical and economic values. The Handbook on the Economics of Cultural Heritage outlines the contribution of economics to the design and analysis of cultural heritage policies and to addressing issues related to the conservation, management and enhancement of heritage. The Handbook takes a multidisciplinary approach, using cultural economics as a theoretical framework to illustrate how crucial and stimulating cross-disciplinary dialogue actually is. Contributors scrutinise the co-existence of cultural and economic values as well as the new challenges that arise from changes brought about by technology, and relationships between the different actors engaged in the production, distribution and consumption of heritage services. The roles of public, private and non-profit organizations are also explored. Case studies underpin the discussion, demonstrating the clear and vital link between theory and practice. This highly unique Handbook will prove a fascinating and informative read for academics, researchers, students and policymakers with an interest in cultural economics.

The Oxford Handbook Of Greek And Roman Art And Architecture

Author: Clemente Marconi
Publisher: Oxford University Press
ISBN: 0199790523
Size: 57.97 MB
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The study of Greek and Roman Art and Architecture has a long history that goes back to the second half of the 18th century and has provided an essential contribution towards the creation and the definition of the wider disciplines of Art History and Architectural History. This venerable tradition and record are in part responsible for the diffused tendency to avoid general discussions addressing the larger theoretical implications, methodologies, and directions of research in the discipline. This attitude is in sharp contrast not only with the wider field of Art History, but also with disciplines that are traditionally associated with the study of Greek and Roman Art and Architecture, like Classics and Classical Archaeology. In recent years, the field has been characterized by an ever-increasing range of approaches, under the influence of various disciplines such as Sociology, Semiotics, Gender Theory, Anthropology, Reception Theory, and Hermeneutics. In light of these recent developments, this Handbook seeks to explore key aspects of Greek and Roman Art and Architecture, and to assess the current state of the discipline. The Handbook includes thirty essays, in addition to the introduction, by an international team of leading senior scholars, who have played a critical role in shaping the field, and by younger scholars, who will express the perspectives of a newer generation. After a framing introduction written by the editor, which compares ancient and modern notions of art and architecture, the Handbook is divided into five sections: Pictures from the Inside, Greek and Roman Art and Architecture in the Making, Ancient Contexts, Post-Antique Contexts, and Approaches. Together, the essays in the volume make for an innovative and important book, one that is certain to find a wide readership.

Le Droit Du Patrimoine Culturel Colombien L Preuve De La Restitution Internationale Des Biens Arch Ologiques

Author: Paulina Restrepo-Navarro
Publisher: Editions L'Harmattan
ISBN: 2336387123
Size: 32.79 MB
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Cet ouvrage présente un état des lieux du droit du patrimoine culturel colombien et de son appréhension des problématiques liées à la circulation des biens archéologiques et à leur transfert de propriété. Si ces vestiges appartiennent incontestablement à la Nation depuis 1991, leur protection constitutionnelle ne suffit pas à satisfaire la politique nationaliste que ce pays-source souhaiterait mener.

The Art Museum From Boull E To Bilbao

Author: Andrew McClellan
Publisher:
ISBN: 9780520247673
Size: 69.97 MB
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"Andrew McClellan's well-conceived, thoughtfully argued book provides a much-needed history of the art museum as well as an astute assessment of critical issues facing museums today. There has been a pressing need for a synthetic, even-handed overview like this one. It will find a large readership among those concerned with museums, art history, and cultural policy, and I predict it will be widely used in courses in museum and curatorial studies."--Martha Ward, author of "Pissarro, Neo-impressionism and the Spaces of the Avant-Garde" ""The Art Museum from Boullee to Bilbao" is extremely important to the growing field of museum studies. It will make an excellent text and will also be important to museum professionals, who must be aware of the complexity of the critical issues it covers. It is the only book that addresses museum architecture, ideals and missions, collecting and display, restitution and repatriation, commercialism, and the public."--Harriet F. Senie, author of "The Tilted Arc Controversy: Dangerous Precedent?" "The increasing number of people interested in the history of museums have benefited greatly from Andrew McClellan's contributions over the past two decades. In this exemplary volume, McClellan summarizes and extends his perspectives on museums as institutions 'of hope and aspiration' as he establishes a much needed context for the rhetoric of celebration and critique emanating from within and without these organizations. It is a useful as well as an important book and one that will be read by many--students and lay public alike--as they attempt to make sense of these institutions and the sometimes conflicting accounts of their purpose and programs."--Michael Conforti, Director of the Sterling and Francine Clark Art Institute "Combining powerful critique with a grounded utopianism, Andrew McClellan dissects the art museum's past in order to identify its emancipatory potential for the future. The result is a tour de force that reinvigorates our sense of why art museums matter. This is a book that will leave its mark on debates about the social role of museums for some time to come."--Tony Bennett, Director, ESRC Centre for Research on Socio-cultural Change "With its long historical view of ongoing controversies and debates, "The Art Museum from Boullee to Bilbao" represents a much-needed contribution to the discussion of the role of museums in contemporary society. Museum professionals, scholars, and lay readers alike will find much to ponder in its pages.--Alan Wallach, author of "Exhibiting Contradiction: Essays on the Art Museum in the United States" "Timely and topical, "The Art Museum from Boullee to Bilbao" is a comprehensive study of the evolution of the art museum as a social institution. Andrew McClellan's clear-eyed and insightful analysis places key issues faced by museums today in historical perspective and gives us a better understanding of current debates about museums and their place in society. Combining a deep knowledge of history and critical theory with an understanding of practice, this text makes a significant contribution to museum studies and should be required reading for museum professionals and academics alike."--Christa Clarke, Curator, The Newark Museum