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Understanding Disney

Author: Janet Wasko
Publisher: John Wiley & Sons
ISBN: 0745669042
Size: 53.69 MB
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Since the 1930s the Walt Disney Company has produced characters, images, and stories which have captivated audiences around the world. How can we understand the appeal of Disney products? What is it about the Disney phenomenon that attracts so many children as well as adults? In this major new book, Janet Wasko examines the processes by which the Disney company - one of the largest media and entertainment corporations in the world - manufactures the fantasies which enthrall millions. She analyses the historical expansion of the Disney empire, examines the content of Disney's classic films, cartoons and TV programs and shows how they are produced, considering how some of the same techniques have been applied to the Disney theme parks. She also discusses the reception of Disney products by different kinds of audiences. By looking at the Disney phenomenon from a variety of perspectives, she provides a fresh and comprehensive account of one of the most significant media and cultural institutions of our time. This important book by a leading scholar of the entertainment industries will be of great interest to students in media and cultural studies and will appeal to a wide readership.

Grimm Disney Und Die Wandlung Der Geschlechterrollen Eine Gender Studie Zwischen M Rchenbuch Und Zeichentrickfilm

Author: Carolin Kotthaus
Publisher: diplom.de
ISBN: 3956848861
Size: 25.81 MB
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Die Märchen der Brüder Grimm - bereits seit 200 Jahren kennen und lieben sowohl Kinder als auch Erwachsene die Geschichten von Schneewittchen, Aschenputtel und Co. Seit dem letzten Viertel dieser 200 Jahre bestimmen dabei oftmals die Gesichter aus den Märchenadaptionen des amerikanischen Filmemachers Walt Disney die Vorstellungen von schönen Prinzessinnen und tapferen Prinzen. Vor dem Hintergrund der weiblichen Emanzipationsbewegung kommt hinzu, dass beispielsweise eine zurückhaltende, träumerische Cinderella von einer Bratpfannen schwingenden Rapunzel abgelöst wurde. Der Inhalt der Märchen bzw. Märchen-Adaptionen beinhaltet nicht mehr nur konventionell gehaltene Rollenbilder, sondern trumpft auf mit handlungsaktiven Prinzessinnen und zum Teil unsicheren Prinzen. Die vorliegende Studie möchte zeigen, wie es zu dieser Wandlung gekommen ist und untersucht, ob sie ausschließlich progressiv zu bewerten ist oder ob dabei auch mögliche Gefahren festzustellen sind.

The Disney Middle Ages

Author: T. Pugh
Publisher: Springer
ISBN: 113706692X
Size: 13.47 MB
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For many, the middle ages depicted in Walt Disney movies have come to figure as the middle ages, forming the earliest visions of the medieval past for much of the contemporary Western (and increasingly Eastern) imagination. The essayists of The Disney Middle Ages explore Disney's mediation and re-creation of a fairy-tale and fantasy past, not to lament its exploitation of the middle ages for corporate ends, but to examine how and why these medieval visions prove so readily adaptable to themed entertainments many centuries after their creation. What results is a scrupulous and comprehensive examination of the intersection between the products of the Disney Corporation and popular culture's fascination with the middle ages.

Disney Tv

Author: J. P. Telotte
Publisher: Wayne State University Press
ISBN: 9780814330845
Size: 72.88 MB
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A historical account of the context, impact, and legacy of one of the most successful series in American television history.

Good Girls Wicked Witches

Author: Amy M. Davis
Publisher: Indiana University Press
ISBN: 0861969014
Size: 41.16 MB
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An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

Contemporary Youth Culture

Author: Shirley R. Steinberg
Publisher: Greenwood Publishing Group
ISBN: 9780313337291
Size: 75.84 MB
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An international and inter-disciplinary roster of experts shed light by exploring such topics as hip hop culture; punk culture; social justice movements; video games and others.

Popular Culture

Author: Raiford Guins
Publisher: SAGE
ISBN: 9780761974727
Size: 44.13 MB
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Popular Culture: A Reader helps students understand the pervasive role of popular culture and the processes that constitute it as a product of industry, an intellectual object of inquiry, and an integral component of all our lives. The volume is divided into 7 thematic sections, and each section is preceded by an introduction which engages with, and critiques, the chapters that follow. The book contains classic writings from all the 'big names;' plenty of contemporary cultural references that will appeal to students, including skateboarding, hip hop, fashion (Tommy Hilfiger, vintage) websites, Star Trek, Disney, etc; material organized in a skills-focused and learning-focused way; strong pedagogic features throughout, making this an excellent classroom text; pieces drawing on diverse national, disciplinary and subdisciplinary contexts; and sensitivity to issues of gender, race and sexuality.

How Hollywood Works

Author: Janet Wasko
Publisher: SAGE
ISBN: 9780761968146
Size: 47.33 MB
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This volume details the processes involved in turning raw materials and labour into feature films. Janet Wasko surveys and critiques the policies and structure of the current United States film industry, as well as its relationships to other media industries.

Media Franchising

Author: Derek Johnson
Publisher: NYU Press
ISBN: 0814743897
Size: 49.73 MB
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"Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry." —Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar cultureacross television, film, comics, games, and merchandising. In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and evenconsumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.