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Visual Propaganda Exhibitions And The Spanish Civil War

Author: MiriamM. Basilio
Publisher: Routledge
ISBN: 1351537431
Size: 14.98 MB
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Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation?s past?monuments, cultural property, and art-historical icons?were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.

Time In The History Of Art

Author: Dan Karlholm
Publisher: Routledge
ISBN: 1351858971
Size: 29.71 MB
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Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.

Traveler There Is No Road

Author: Lisa Jackson-Schebetta
Publisher: University of Iowa Press
ISBN: 1609384903
Size: 49.75 MB
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Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936–1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere’s longest-lived colonial power, Spain.

Krieg Dem Kriege

Author: Ernst Friedrich
Publisher: Ch. Links Verlag
ISBN: 3862843963
Size: 42.51 MB
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Ernst Friedrichs 1924 zum ersten Mal erschienenes Buch »Krieg dem Kriege« ist ein Meilenstein der Friedensliteratur und der Friedenspädagogik. Das durchgehend viersprachig (Deutsch / Französisch / Englisch / Holländisch) gedruckte Werk wurde weltweit hundertausendfach verkauft und erregte wegen der drastischen Bilder von verstümmelten Soldaten und der klaren antimilitaristischen Sprache großes Aufsehen und viel Anstoß. Mehreren Generationen junger Menschen hat nicht zuletzt »Krieg dem Kriege« die Schrecken des Krieges vergegenwärtigt. Die Neuauflage im Ch. Links Verlag macht dieses wichtige Werk wieder zugänglich und erschließt es durch eine fundierte historische Einleitung von Gerd Krumeich für die Gegenwart. Eine biografische Skizze Ernst Friedrichs von seinem Enkel Tommy Spree informiert erstmals ausführlich über das bewegte Leben des Verfassers von »Krieg dem Kriege«.