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Visualizing Feeling

Author: Susan Best
Publisher: I.B.Tauris
ISBN: 1780767099
Size: 65.83 MB
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Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterizations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists--Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha--and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analyzed in detail. Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.

Die Kunst Zu Zeigen

Author: Fiona McGovern
Publisher: transcript Verlag
ISBN: 383942948X
Size: 34.30 MB
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Mit seinen schwerpunktmäßigen Analysen der Ausstellungspraxis von Joseph Beuys, Martin Kippenberger, Mike Kelley und Manfred Pernice leistet dieser Band einen essenziellen Beitrag zur kunsthistorischen Auseinandersetzung mit künstlerischen Ausstellungsdisplays seit den 1960er Jahren. Fiona McGovern berücksichtigt nicht nur parergonale Strukturen wie Einladungskarten, Ausstellungskataloge und Installationshots, ihre jeweilige kunstkritische Rezeption und ihnen immanente Dynamiken, sondern diskutiert auch posthum auftauchende Problematiken im Umgang mit dieser Kunstform, die den klassischen Werkbegriff sprengt.

Sehen

Author: John Berger
Publisher: S. Fischer Verlag
ISBN: 3104038198
Size: 79.45 MB
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Das erfolgreichste Buch zur Kunst der letzten fünfzig Jahre - jetzt neu auflegt im FISCHER Taschenbuch! Mit seinem legendären Buch ›Sehen. Das Bild der Welt in der Bilderwelt‹ lehrte John Berger uns Anfang der 1970er Jahre, Bilder neu zu sehen. Er analysiert Gemälde nicht isoliert in einer Welt von musealer Ewigkeit, sondern als Gebrauchsmuster der modernen Gesellschaft, die vor allem den weiblichen Körper zur Reklame benutzt. John Berger, der große europäische Erzähler und Essayist, feiert im November 2016 seinen 90. Geburtstag. Seine Essays zu Kunst und Fotografie sind aus der Ästhetik des 20. Jahrhunderts nicht mehr wegzudenken. Meisterhaft finden seine Erzählungen und Romane eine sinnliche Antwort auf die Frage, wie wir heute leben. »Es gibt niemals genug von John Berger!« Tilda Swinton

Sculptural Photographs

Author: Patrizia di Bello
Publisher: Bloomsbury Publishing
ISBN: 135002824X
Size: 60.97 MB
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This is the first monograph exploring how, throughout its history, sculpture has provided a model to conceptualize photography as an art of mechanical reproduction. While there is a growing body of work examining how photography has contributed to the development of a Western 'sculptural imagination' by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production. In both media, processes from conception to realization involve apparatus that bypass the 'touch of the artist' - so important to enduring notions of the value of works of art. The book closely analyses a number of case studies, from 1847 to the present, selected both to explicate the conceptual and technological continuities between the two media, and also because of how they illuminate the materiality of photographic objects. The final chapter considers the convergence of the two media in contemporary sculptural practices that use forms of 3D photography and computer-operated sculpting machines. Rooted in an understanding of the practical, social and aesthetic implications of photographic as well as sculptural technologies, this volume demonstrates how photographs of sculpture are particularly useful in revealing how photography's changing materialities shape the meaning of images as they are made, circulated, looked at, written about and handled at different historical moments.

K Rper Und Repr Sentation

Author: Insa Härtel
Publisher: Springer-Verlag
ISBN: 3322950298
Size: 22.37 MB
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,The Body and Representation. Feminist Research and Theoretical Perspectives' wurde als zweiwöchige Studienphase des Projektbereichs BODY der Internationalen Frauenuniversität vom Zentrum für feministische Studien der Universität Bremen konzipiert und im Sommer 2000 durchgeführt. Die Publikation umfasst neben Ergebnissen aus Vorlesungen und Seminaren auch ergänzende Beiträge, die die thematischen Schwerpunkte abrunden. Diskutiert werden Konzepte, Inszenierungen, Handlungen und Repräsentationen von Körpern in Alltag, politischen Kontexten, Kunst und neuen Medien.

Die Magischen Kan Le

Author: Marshall McLuhan
Publisher:
ISBN: 9783430164047
Size: 13.13 MB
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Museum und Medien - Museumskommunikation - Kommunikationstheorie - Medientheorie - Museum und Öffentlichkeit.

Reparative Aesthetics

Author: Susan Best
Publisher: Bloomsbury Publishing
ISBN: 1472525752
Size: 30.70 MB
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By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.