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Westerns

Author: Gary R. Edgerton
Publisher: Routledge
ISBN: 1135765081
Size: 35.89 MB
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For nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.

Eastern Westerns

Author: Stephen Teo
Publisher: Routledge
ISBN: 1317592255
Size: 61.55 MB
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The western, one of Hollywood’s great film genres, has, surprisingly, enjoyed a revival recently in Asia and in other parts of the world, whilst at the same time declining in America. Although the western is often seen as an example of American cultural dominance, this book challenges this view. It considers the western from an Asian perspective, exploring why the rise of Asian westerns has come about, and examining how its aesthetics, styles and politics have evolved as a result. It analyses specific Asian Westerns as well as Westerns made elsewhere, including in Australia, Europe, and Hollywood, to demonstrate how these employ Asian philosophical and mythical ideas and value systems. The book concludes that the western is a genre which is truly global, and not one that that is purely intrinsic to America.

The Westerns And War Films Of John Ford

Author: Sue Matheson
Publisher: Rowman & Littlefield
ISBN: 1442261064
Size: 45.23 MB
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The only person to receive four Academy Awards for best director, John Ford is considered by some to be America’s greatest homegrown filmmaker. This book looks at the two genres of films for which Ford was most well-known—Westerns such as She Wore a Yellow Ribbon, The Searchers, and The Man Who Shot Liberty Valance—and military films including They Were Expendable and the Oscar-winning documentary The Battle of Midway.

Undead In The West

Author: Cynthia J. Miller
Publisher: Scarecrow Press
ISBN: 081088545X
Size: 70.98 MB
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Undead in the West is a collection of essays that explore the many tropes and themes through which undead Westerns make the genre’s inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. Featuring several illustrations and a filmography, the volume is divided into three sections: “Reanimating Classic Western Tropes” examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; “The Moral Order Under Siege” explores the ways in which the undead confront classic values and morality tales embodied in Western films; and “And Hell Followed with Him” looks at justice, retribution, and retaliation at the hands of undead angels and avengers.

Popular Culture Theory And Methodology

Author: Harold E. Hinds
Publisher: Popular Press
ISBN: 9780879728717
Size: 20.17 MB
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Since its birth in the 1960s, the study of popular culture has come a long way in defining its object, its purpose, and its place in academe. Emerging along the margins of a scholarly establishment that initially dismissed anything popular as unworthy of serious study-trivial, formulaic, easily digestible, escapist-early practitioners of the discipline stubbornly set about creating the theoretical and methodological framework upon which a deeper understanding could be founded. Through seminal essays that document the maturation of the field as it gradually made headway toward legitimacy, Popular Culture Theory and Methodology provides students of popular culture with both the historical context and the critical apparatus required for further growth. For all its progress, the study of popular culture remains a site of healthy questioning. What exactly is popular culture? How should it be studied? What forces come together in producing, disseminating, and consuming it? Is it always conformist, or has it the power to subvert, refashion, resist, and destabilize the status quo? How does it differ from folk culture, mass culture, commercial culture? Is the line between "high" and "low" merely arbitrary? Do the popular arts have a distinctive aesthetics? This collection offers a wide range of responses to these and similar questions. Edited by Harold E. Hinds, Jr., Marilyn F. Motz, and Angela M. S. Nelson, Popular Culture Theory and Methodology charts some of the key turning points in the "culture wars" and leads us through the central debates in this fast developing discipline. Authors of the more than two dozen studies, several of which are newly published here include John Cawelti, Russel B. Nye, Ray B. Browne, Fred E. H. Schroeder, John Fiske, Lawrence Mintz, David Feldman, Roger Rollin, Harold Schechter, S. Elizabeth Bird, and Harold E. Hinds, Jr. A valuable bibliography completes the volume.

1950s Rocketman Tv Series And Their Fans

Author: C. Miller
Publisher: Springer
ISBN: 0230377327
Size: 46.89 MB
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The fourteen essays featured here focus on series such as Space Patrol, Tom Corbett, and Captain Z-Ro, exploring their roles in the day-to-day lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.

The Virginian

Author: Owen Wister
Publisher: BookRix
ISBN: 3955008320
Size: 61.33 MB
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The Virginian ist die Geschichte eines einzelgängerischen Cowboys in Wyoming um 1880, der sich trotz des im Westen vorherrschenden Faustrechts an seinen persönlichen Ehrenkodex hält und so allerlei Unbilden übersteht. Owen Wister war der Sohn von Sarah und Owen Wister Sr. einer Patrizierfamilie aus Philadelphia und genoss so eine privilegierte Kindheit. Seine Großmutter war die britische Bühnenschauspielerin Fanny Kemble. Nach Schulaufenthalten in der Schweiz und in England studierte er an der renommierten St. Paul's School in Concord (New Hampshire) sowie später an der Harvard University. Dort begann er mit Beiträgen für die studentische Satirezeitschrift The Harvard Lampoon seine schriftstellerische Laufbahn und lernte seinen langjährigen Freund und späteren Präsidenten der USA, Theodore Roosevelt, kennen. 1882–1884 verbrachte er zwei Jahre in Paris. Nach seiner Rückkehr ließ er sich zunächst in New York nieder, wo er in einer Bank Anstellung fand. 1885 begann er ein Zweitstudium an der Harvard Law School. Seine Approbation als Rechtsanwalt erhielt er 1888. In dieser Zeit begann sich Wister verstärkt mit dem amerikanischen Westen zu beschäftigen. Dieses Thema entsprach ganz dem Zeitgeist; der Historiker Frederick Jackson Turner verklärte in dem einflussreichen Aufsatz The Significance of the Frontier in American History (1893) die Frontier, also die weiße Siedlungrenze im Westen, zum Geburtsort des amerikanischen Gemüts und des ihm angeblich eigenen Freiheits- und Selbstbehauptungswillens. Roosevelt legte in seinem Werk The Winning of the West (1889-96) die Bedeutung der Westexpansion für das Wohl der amerikanischen Nation dar. Während die "Zivilisierung" des Westens voranschritt, also die Vertreibung der indianischen Ureinwohner, die Besiedlung durch Weiße, und die politische Organisation der Westterritorien in US-Bundesstaaten, machte sich Wister an die Verklärung dieser verschwindenden Welt und prägte mit seinem ersten Roman The Virginian (1902; dt. Der Virginier, 1955)) den in dieser Zeit entstehenden Mythos vom "Wilden Westen" entscheidend mit.