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Arab Muslim Woman

Author: Lindsey Moore
Publisher: Routledge
ISBN: 1134138784
Size: 37.52 MB
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Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossings in time, space, language, and media. In doing so, Moore moves beyond notions of speaking or looking ‘back’ to encompass a diverse feminist poetics and politics and to emphasize ethical forms of representation and reception. Aran, Muslim, Woman is distinctive in the eclectic body of work that it brings together. Discussing Algeria, Egypt, Jordan, Lebanon, Morocco, the Palestinian territories, and Tunisia, as well as postcolonial Europe, Moore argues for better integration of Arab Muslim contexts in the postcolonial canon. In a book for readers interested in women's studies, history, literature, and visual media, we encounter work by Assia Djebar, Mona Hatoum, Fatima Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other women.

Confining Spaces Resistant Subjectivities

Author: Kinana Hamam
Publisher: Cambridge Scholars Publishing
ISBN: 1443865532
Size: 11.71 MB
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This book represents a significant contribution to academic knowledge, making a compelling case for a contemporary analytical re-reading of a number of “core” postcolonial women’s narratives, such as Erna Brodber’s Jane and Louisa Will Soon Come Home, Buchi Emecheta’s The Joys of Motherhood, and Mariama Bâ’s So Long a Letter. These narratives highlight diversity, contextuality, opposition, and metachrony, have a “generative literary function”, and anticipate what have now become postcolonial feminist issues and debates. Bringing together feminist writing from a range of postcolonial contexts, the book contributes to a field represented by the critical writings of Francoise Lionnet, Ketu Katrak, and Elleke Boehmer, among others. The deconstructive, cultural approach of the book is mobilised to support an in-depth literary analysis which focuses on female oppression, difference, voice, and agency. Questions of what it means to be “a woman” and to be “postcolonial” are read as central debates which emphasise “multi-vocal and multi-focal” female narratives and perspectives. That is, they highlight the temporal, as well as cross-cultural links and implications of the selected narratives, which give the project a kind of positive complexity and linkage. Above all, the analysis of several unconventional modes and (physical/imaginative) spaces of female resistance, such as prison, widow confinement, and madness, yields some surprising results that are sustained by a close reading of the texts which are not only attentive to questions of genre, structure, imagery and narrative endings, but also oppositional, instructive and reconstructive.

Experiences Of Freedom In Postcolonial Literatures And Cultures

Author: Annalisa Oboe
Publisher: Taylor & Francis
ISBN: 1136811737
Size: 52.39 MB
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Modern ideas of freedom and human rights have been repeatedly contested and are hotly debated at the beginning of the third millennium in response to new theories, needs, and changes in the world today. This volume offers culturally diverse responses to the contemporary idea of ‘freedom’ from the literatures and the arts of the postcolonial world.

Culture Diaspora And Modernity In Muslim Writing

Author: Rehana Ahmed
Publisher: Routledge
ISBN: 0415896770
Size: 13.96 MB
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Fiction by writers of Muslim background forms one of the most diverse, vibrant and high-profile corpora of work being produced today - from the trail-blazing writing of Salman Rushdie and Hanif Kureishi, which challenged political and racial orthodoxies in the 1980s, to that of a new generation including Mohsin Hamid, Nadeem Aslam and Kamila Shamsie. This collection reflects the variety of those fictions. Experts in English, South Asian, and postcolonial literatures address the nature of Muslim identity: its response to political realignments since the 1980s, its tensions between religious and secular models of citizenship, and its manifestation of these tensions as conflict between generations. In considering the perceptions of Muslims, contributors also explore the roles of immigration, class, gender, and national identity, as well as the impact of 9/11. This volume includes essays on contemporary fiction by writers of Muslim origin and non-Muslims writing about Muslims. It aims to push beyond the habitual populist 'framing' of Muslims as strangers or interlopers whose ways and beliefs are at odds with those of modernity, exposing the hide-bound, conservative assumptions that underpin such perspectives. While returning to themes that are of particular significance to diasporic Muslim cultures, such as secularism, modernity, multiculturalism and citizenship, the essays reveal that 'Muslim writing' grapples with the same big questions as serve to exercise all writers and intellectuals at the present time: How does one reconcile the impulses of the individual with the requirements of community? How can one 'belong' in the modern world? What is the role of art in making sense of chaotic contemporary experience?

Die Taugenichtse

Author: Samuel Selvon
Publisher: Deutscher Taschenbuch Verlag
ISBN: 342343192X
Size: 39.17 MB
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Moses, Big City, Fünf-nach-zwölf und die anderen setzen große Hoffnungen in ihr neues Leben im »Zentrum der Welt«, so nennen sie das London der Nachkriegszeit. Sie sind aus der Karibik hierhergekommen, jetzt staunen sie über die Dampfwolken vor ihren Mündern. Und wenn der Wochenlohn wieder nicht reicht, jagen sie eben die Tauben auf dem Dach. Kapitulation? Niemals! Stattdessen beginnen die Überlebenskünstler, sich neu zu erfinden – und ihre neue Heimat gleich mit. Samuel Selvons Ton zwischen kreolischem Straßenslang und balladesker Suada setzt sich sofort ins Ohr. Bedingungslos aufrichtig erzählt Selvon von den ersten Einwanderern Englands, die das Land für immer verändert haben – sein Denken, seine Sprache, sein Selbstverständnis. Die literarische Entdeckung!

Narratives For A New Belonging

Author: Roger Bromley
Publisher:
ISBN: 9780748609512
Size: 39.75 MB
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The people who shaped America's public broadcasting system thought it should be "a civilized voice in a civilized community"--a clear alternative to commercial broadcasting. This book tells the story of how NPR has tried to embody this idea. Michael P. McCauley describes NPR's evolution from virtual obscurity in the early 1970s, when it was riddled with difficulties--political battles, unseasoned leadership, funding problems--to a first-rate broadcast organization. The book draws on a wealth of primary evidence, including fifty-seven interviews with people who have been central to the NPR story, and it places the network within the historical context of the wider U.S. radio industry. Since the late 1970s, NPR has worked hard to understand the characteristics of its audience. Because of this, its content is now targeted toward its most loyal listeners--highly educated baby-boomers, for the most part--who help support their local stations through pledges and fund drives.

The Arab Avant Garde

Author: Andrea Flores Khalil
Publisher: Heinemann Educational Books
ISBN: 9780325071299
Size: 18.61 MB
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A look at how North African artists use essentially "foreign" means to express an "authentic" vision of their own cultural inheritances and imperatives.

Unthinking Eurocentrism

Author: Ella Shohat
Publisher: Routledge
ISBN: 131767541X
Size: 37.83 MB
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Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s – the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade – a process which culminates in the post-War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a "polycentric" approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of "positive image" analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the "transnational," the "commons," "indigeneity," and the "Red Atlantic" have come to the fore. The afterword also explores some cinematic trends such as "indigenous media" and "postcolonial adaptations" that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies.