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Barrelhouse Blues

Author: Paul Oliver
Publisher: Hachette UK
ISBN: 0465019897
Size: 43.78 MB
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In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't been captured on location by these performers and recorders. Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.

Staging The Blues

Author: Paige A. McGinley
Publisher: Duke University Press
ISBN: 0822376318
Size: 38.54 MB
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Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked, and flaunted extravagant costumes on tent show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. In Staging the Blues, Paige A. McGinley shows that even though folklorists, record producers, and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie McGhee in small Mississippi towns, Harlem theaters, and the industrial British North, this pioneering study foregrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy, and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice.

Hip Hop S Amnesia

Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739174924
Size: 38.98 MB
Format: PDF
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What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women's Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? In Hip Hop's Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture.

The Melody Man

Author: Bruce Bastin
Publisher: Univ. Press of Mississippi
ISBN: 1617032778
Size: 62.21 MB
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Joe Davis, the focus of The Melody Man, enjoyed a 50-year career in the music industry, which covered nearly every aspect of the business. He hustled sheet music in the 1920s, copyrighted compositions by artists as diverse as Fats Waller, Carson Robison, Otis Blackwell, and Rudy Vallee, oversaw hundreds of recording session, and operated several record companies beginning in the 1940s. Davis also worked fearlessly to help insure that black recording artists and song writers gained equal treatment for their work. Much more than a biography, this book is an investigation of the role played by music publishers during much of the twentieth century. Joe Davis was not a music “great” but he was one of those individuals who enabled “greats” to emerge. A musician, manager, and publisher, his long career reveals much about the nature of the music industry and offers insight into how the industry changed from the 1920s to the 1970s. By the summer of 1924, when Davis was handling the “Race talent” for Ajax records, he had already worked in the music business for most of a decade and there was more than five decades of musical career ahead of him. The fact that his fascinating life has gone so long under-appreciated is remedied by the publication of Never Sell A Copyright. Originally published in England, in 1990, Never Sell a Copyright: Joe Davis and His Role in the New York Music Scene, 1916-1978 was never released in the United States and available in a very limited print run in England. The author, noted blues scholar and folklorist Bruce Bastin, has worked with fellow music scholar Kip Lornell to completely update, condense, and improve the book for this first-ever American edition.

The Story Of The Blues

Author: Paul Oliver
Publisher: UPNE
ISBN: 9781555533540
Size: 74.54 MB
Format: PDF, Mobi
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Featuring over 200 vintage photographs and a new introduction by the author, the engaging, informative volume brings to life the African American singers and players who created this rich genre of music as well as the settings and experiences that inspired them. The author deftly traces the evolution of the blues from the work songs of slaves, to acoustic country ballads, to urban sounds, to electric rhythm and blues bands. Oliver vividly re-creates the economic, social, and regional forces that shaped the unique blues tradition, and superbly details every facet of the music, including themes and subjects, techniques, and recording history.

Songsters And Saints

Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521269421
Size: 65.34 MB
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Paul Oliver rediscovers the wealth of neglected vocal traditions represented on Race records.

Blues Off The Record

Author: Paul Oliver
Publisher:
ISBN: 9780306803215
Size: 80.53 MB
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A collection of essays and critiques originally written for well-known jazz magazines of the time.

Conversation With The Blues Cd Included

Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521591812
Size: 65.93 MB
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Reproduced in a larger format containing a new introduction and a compact disc, a collection of interviews with blues musicians--from the segregated South to the urban North--conducted in 1960 features photographs taken by the author. UP.

Yonder Come The Blues

Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521787772
Size: 13.72 MB
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This 2001 volume combines three influential and much-quoted books on African-American music.

Blues Fell This Morning

Author: Paul Oliver
Publisher: Cambridge University Press
ISBN: 9780521377935
Size: 24.69 MB
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Examines themes, backgrounds, and motivation of the blues from the 1920s to the 1950s