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Contemporary Native American Artists

Author: Ken Lingad
Publisher: Gibbs Smith
ISBN: 1423605594
Size: 77.45 MB
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Text and photographs detail the lives and art of contemporary Native American artists working in painting, sculpture, pottery, jewelry, and clothing.

Contemporary Native American Artists

Author: Dawn E. Reno
Publisher: Brooklyn, N.Y. : Alliance Publishing
ISBN: 9780964150966
Size: 65.31 MB
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Profiles over 1,000 Native American artists who are blazing new trails in the ancient arts.

Women And Ledger Art

Author: Richard Pearce
Publisher: University of Arizona Press
ISBN: 0816599823
Size: 46.69 MB
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Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women and Ledger Art reflects the new life these women have brought to an important transcultural form of expression.

I Stand In The Center Of The Good

Author: Lawrence Abbott
Publisher: U of Nebraska Press
ISBN: 9780803210370
Size: 44.13 MB
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What is Indian art? There have been many attempts to define it, but the so-called Santa Fe style of the 1930s?placid, two-dimensional depictions of traditional scenes?set the standard by which subsequent art by Native Americans would be judged. Art that radically challenged the stereotype?the work of Joe Herrera, Fritz Scholder, and T. C. Cannon, for example?met with resistance; questions were raised about its authenticity as Indian art. Today's Indian art has resoundingly overturned old preconceptions: here are cartoon figures in throbbing neon colors, "decorated" grocery bags, messages to America on the Spectacolor billboard in Times Square, delicate abstractions and cubist images, work that ranges from monotype and photography to mixed media and clay, from humor and biting commentary to quiet introspection. I Stand in the Center of Good, the first book of its kind, offers a forum for seventeen contemporary Native American artists to speak about the development of their art, their creative processes, how they define their art, and how it relates to their Indianness. The interviews are handsomely illustrated with works by the artists, who include Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse.

St James Guide To Native North American Artists

Author: Roger Matuz
Publisher: Saint James Press
ISBN: 9781558622210
Size: 57.89 MB
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Profiling 400 prominent artists of the 20th century, each entry in this reference includes a biographical profile; lists of exhibitions, public galleries and museums; a bibliography of books and articles by and about the entrant; and presents a critical perspective on the artist's work.

The Old Becomes The New

Author: American Indian Artists Inc. (AMERINDA)-Staff
Publisher:
ISBN: 9780989856508
Size: 68.39 MB
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The Old Becomes the New: New York Movement in Contemporary Native Art and the New York School, an historical survey exhibition of twenty three contemporary Native American artists living and working in New York City (1943-2013) together with five highly seminal artists of the New York School. This is the first exhibition revealing the historical relationship between the New York School and the evolution of Native modernism. The exhibition highlights a comprehensive selection of distinguished Native American artists, all members of the New York Contemporary Native American Arts Movement; one of the lesser known Native Arts movements in the United States outside of Santa Fe, New Mexico, that is urban based. A select few of these artists were directly influenced by abstract expressionism, the New York School and, to a lesser extent, Pop art. Succeeding generations of Native artists continued some of the visual languages and sensibilities of their progenitors. Some used abstract-expressionist language and modernist language, as well as other visual references particular to their own traditions or self-expression. They produced work that was grandly diverse, sometimes reflecting the urban environment in which they found themselves. Some of the New York School artists in the show, who were themselves influenced by traditional Native American design aesthetic; who then influenced contemporary Native artists, in some cases personally are Roy Lichtenstein, Jackson Pollock, Robert Rauschenberg, Theodoros Stamos and Esteban Vicente. Although he always proudly shared his Native heritage, The Rauschenberg Foundation has confirmed that this is the first ?Contemporary Native? show where the late Mr. Rauschenberg's work has been included.

Native American Painters Of The Twentieth Century

Author: Robert Henkes
Publisher: McFarland & Company
ISBN: 9780786400928
Size: 36.63 MB
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From naturalism to abstract, realism to surrealism, traditional to popular, the 60 Native American artists in this reference work come from a variety of esthetic backgrounds. These contemporary painters reflect the wide range of art produced by Native Americans; many have drawn on their tribal culture for inspiration and subject matter, but others have chosen a more individual style. Among the artists included are Blackbear Bosin, Connie Seabourn, Joe Baker, Louise Harrison, Yeffe Kimball, Princess Wa Wa Chaw, Willie Preacher, Troy Jumping Eagle, Annie Nash, Kevin Red Star, James Campbell, Neil Parsons, Kim Snyder, Thurman Horse, Barbara Gerard Mitchell, and 46 others.

No Reservation

Author: David Bunn Martine
Publisher: Amerinda Incorporated
ISBN: 9780989856546
Size: 52.55 MB
Format: PDF
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No Reservation: New York Contemporary Native American Art Movement presents the first history of this unknown, organic, highly diverse Native American art movement, based in New York City ? a movement that encompasses the founding of contemporary Native American film and theater in the United States as well as the strongest contemporary Native visual arts movement outside Santa Fe, New Mexico.

Shifting Grounds

Author: Kate Morris
Publisher:
ISBN: 9780295745367
Size: 41.58 MB
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In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing forms of landscape art, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick's tactile paintings to the eerie soundscapes of Alan Michelson's videos and Postcommodity's installations, this landscape art resonates with a fully embodied subjectivity. In the works of these and other artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, memory and commemoration, and power and resistance, illuminating the artists' sustained engagement not only with land and landscape but also with the history of representation itself.