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Hollywood Planet

Author: Scott Robert Olson
Publisher: Routledge
ISBN: 1410604446
Size: 56.99 MB
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The popularity of American television programs and feature films in the international marketplace is widely recognized but scarcely understood. Existing studies have not sufficiently explained the global power of the American media nor its actual effects. In this volume, Scott Robert Olson tackles the issue head on, establishing his thesis that the United States' competitive advantage in the creation and global distribution of popular taste is due to a unique mix of cultural conditions that are conducive to the creation of "transparent" texts--narratives whose inherent polysemy encourage diverse populations to read them as though they are indigenous. Olson posits that these narratives have meaning to so many different cultures because they allow viewers in those cultures to project their own values, archetypes, and tropes into the movie or television program in a way that texts imported from other cultures do not, thus enabling the import to function as though it were an indigenous product. As an innovative volume combining postcolonial and postmodern theory with global management strategic theory, Hollywood Planet is one of the first studies that attempts to account theoretically for numerous recent ethnographic studies that suggest different interpretations of television programs and film by a variety of international audiences. Relevant to studies in media theory and other areas of the communication discipline, as well as anthropology, sociology, and related fields, Hollywood Planet contains a powerful and original argument to explain the dominance of American media in the global entertainment market.

The No Nonsense Guide To Global Media

Author: Peter Steven
Publisher: Verso
ISBN: 9781859845813
Size: 49.39 MB
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The power and influence of the mass media grows daily, crucially affecting the way all of us see and understand each other. The No-Nonsense Guide to Global Media introduces readers to the political economy of the major mediafilm, television, radio, recording, publishing and the Internet. Peter Steven looks at the ever greater concentration of ownership and at the convergence of technologies and media functions. At the same time, he emphasizes the diversity of local media production and media around the world. The media is more than the economics of ownership and the technology of production, he stresses; it is also audiences, in all their annoying and wonderful diversity.

The Digital Glocalization Of Entertainment

Author: Paolo Sigismondi
Publisher: Springer Science & Business Media
ISBN: 9781461409083
Size: 12.97 MB
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In this volume, Paolo Sigismondi explores the dynamics of global media and entertainment, specifically analyzing the implications of the global rise of non-scripted entertainment (as reality TV programs) and the impact and consequences of the Information and Communication Technology (ICT) revolution on the content, delivery platforms, and overall business models of the media and entertainment landscape. This work aims at bridging the gap between media theories and industry practices in a rapidly evolving global mediascape, building on scholarship in the field and enriched by case studies and insights from business practice. This work demonstrates that the paradigms of the landscape are shifting, introducing the digital “glocalization” of entertainment, through which successful media crossing national and cultural borders incorporate both global and local features. Key questions raised include: Is the ICT revolution an example of disruptive technology for the global media and entertainment industry? Is the existing status quo challenged, and in, particular Hollywood’s global leadership? What are the global entities emerging as Hollywood’s main competitors in this technologically evolving landscape? Sigismondi argues that as new players are entering the field, new threats to Hollywood’s dominance are emerging. The global leaders in non-scripted entertainment, for example, are European-based global entities operating outside the Hollywood system. Meanwhile, the ICT revolution is modifying the contours and boundaries of the global mediascape. Sigismondi’s approach provides unique insight into how the forces of technology and globalization are transforming television, cinema, and online entertainment.

Islam Security And Television News

Author: C. Flood
Publisher: Springer
ISBN: 1137006889
Size: 63.45 MB
Format: PDF, ePub
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Focusing on British, French and Russian television news coverage of Islam as a security threat, this book provides the first comparative account of how television broadcasting in different geo- and socio-political environments integrates discourses on Islam into nationally oriented, representational systems.

Cultural Rights In A Global World

Author: Anura Goonasekera
Publisher: Marshall Cavendish International
Size: 23.60 MB
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This book addresses the topic of cultural rights with special emphasis on developing countries. It examines issues central to cultural autonomy in a globalized communication environment and explores new approaches, which may ensure a more equitable participation of poorer countries in defending their cultural rights. Special emphasis is given to the implications of globalization for the cultural survival of smaller and weaker developing countries. More specifically, this volume examines issues addressed in a seminar which preceded the book. It examines: the importance of cultural autonomy for development and progress; the implications of emerging international legal and regulatory principles for cultural rights and autonomy; the control of cultural expression by mega-media TNCs; the position of the individual artist vis--vis regulatory regimes such as TRIPs and WTO; the formulation of policies of self-reliance and alternative developments in communication; the elements essential for n

The Paradox Of A Global Usa

Author: Bruce Mazlish
Publisher: Stanford Univ Pr
ISBN: 9780804751551
Size: 78.38 MB
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A uniquely diverse collection of essays on the global reach of American power, institutions and culture from the 19th century to the present day.