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Iranian Media

Author: Gholam Khiabany
Publisher: Routledge
ISBN: 1135894892
Size: 62.61 MB
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The post-revolutionary state in Iran has tried to amalgamate ‘Sharia with electricity’ and modernity with what it considers as ‘Islam’. While sympathetic to private capital, through quasi anti-capitalist politics, the state began to restrict market-relations, confiscate major assets of sections of the Iranian bourgeoisie, and nationalize major aspects of Iran’s industry, including its communications system. Since the end of war with Iraq and the start of the process of ‘reconstruction’, market-driven development and economic policies have been key aims of the state.

Media Across Borders

Author: Andrea Esser
Publisher: Routledge
ISBN: 1317610784
Size: 20.99 MB
Format: PDF, ePub, Mobi
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This volume provides an overview of localisation practices and trends and reveals its significance in the audiovisual sector. Contributors examine translation practices including dubbing, subtitling and voice-over of finished, ‘canned’ material; the internationalisation and localisation of video games; regional adaptations of entertinment television formats and news; and licensed as well as unlicensed film remakes across borders. This book supports cross-border dialogue of academics and practitioners and highlights commonalities and differences between countries and between entertainment industries. As such it provides a new frame of reference for planning, studying and understanding the international flow of media across borders, and the intricacies, challenges and implications of content localisation. For further resources, please see the Media Across Borders group website (www.mediaacrossborders.com), which hosts a number of video interviews with academics and media professionals working in the field; a ‘localisation’ bibliography; links to relevant companies, institutions and publications, as well as conference papers and workshop summaries.

Global Media Ecologies

Author: Doris Baltruschat
Publisher: Routledge
ISBN: 113696617X
Size: 19.84 MB
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In this study, Baltruschat calls attention to dramatic changes in worldwide media production. Her work provides new insights into industry re-organization, digital media, and audience interactivity as pivotal relationships are redrawn along the entire value chain of production, distribution, and consumption. Based on an international study, she details how cultural agents now negotiate a media landscape through collaborative ventures, co-productions and format franchising. These varied collaborations define the new global media economy and affect a shift across the entire field of cultural production. Through detailing the intricacies of globally networked production ecologies, Baltruschat elucidates the shifting power relations in media production, especially in regards to creative labor and trade of intellectual properties. In the new global economy, "content" has become the "new currency." As a result, relational dynamics between cultural agents emerge as key forces in shaping worldwide cultural production, now increasingly characterized by flexible production and consumption. The blurring of lines in international media developments require new parameters, which define creativity and intellectual property in relation to interactive audiences and collaboratively produced content. Baltruschat clearly maps and defines these new dynamics and provides solutions as to how creative labor constellations can advance and enrich the new media economy. This is especially pertinent as global film and TV production does not necessarily result in greater media diversity. On the contrary, interdependencies in policy regimes, prioritization of certain genres, and branded entertainment epitomize how current networked ecologies reflect broader trends in cultural and economic globalization.