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Museums And Biographies

Author: Kate Hill
Publisher: Boydell & Brewer Ltd
ISBN: 184383961X
Size: 67.88 MB
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Essays exploring the relationship between museums and biographies, with worldwide examples and from the early nineteenth century to the present day.

Museums In China

Author: Marzia Varutti
Publisher: Boydell & Brewer Ltd
ISBN: 1843838885
Size: 69.48 MB
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An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation.

Displaced Heritage

Author: Ian Convery
Publisher: Boydell & Brewer Ltd
ISBN: 1843839636
Size: 39.53 MB
Format: PDF, Docs
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Considerations of the effect of trauma on heritage sites.

Pinning Down The Past

Author: Mike Corbishley
Publisher: Boydell & Brewer Ltd
ISBN: 1843839040
Size: 50.22 MB
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Both a practical guide to, and a reflection on, best practice in making archaeology available to a wide audience.

The Role Of The Museum In Creating Multi Cultural Identities

Author: Garth Allen
Publisher: Lewiston : Edwin Mellen Press
ISBN:
Size: 56.80 MB
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The authors tackle the crucial question of how we encourage people to develop a deeper sense of belonging, or community, without that process in itself leading to more formal or rigid exclusions of those who do not belong; the museum, they argue, can and should promote toleration in an increasingly intolerant world.

Shaky Ground

Author: Elizabeth Marlowe
Publisher: A&C Black
ISBN: 1472502094
Size: 21.71 MB
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The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.