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Neurocinema

Author: Eelco F. M. Wijdicks
Publisher: CRC Press
ISBN: 1482242877
Size: 31.80 MB
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Film directors recognize that neurologic disease impacts mind and motility and often use it in a plot or defining scene. It should be informative and educational to deconstruct neurologic representation in film. Neurocinema: When Film Meets Neurology is a collection of film essays that summarize the portrayal of major neurologic syndromes and clinical signs in cinema. Many films approach the reality of disease quite closely, and as a result, are deeply moving and memorable. Equally important, these films say as much about consequences as they say about the disorder. Therefore, the main themes include sudden confrontation with a major neurologic illness, disability from chronic neurologic disease, and failure to lead a normal life. More than 100 fiction films and documentaries are discussed in this completely original and definitive work on how film meets neurology. The book includes nearly 50 neurology topics, explains them, and places them in a broader context. The book is accessible for all health care workers and general readership. Eelco Wijdicks is a professor of neurology at the Mayo Clinic College of Medicine. He is the chair of the Division of Critical Care Neurology and an attending neurointensivist at Mayo Clinic Hospital, Saint Marys Campus. He has written numerous books and scientific articles on the clinical practice of neurocritical care. He is enamored with cinema and neurologic representation in fiction and documentary films. Dr. Wijdicks has written film reviews for Neurology Today and THE LANCET Neurology. He is the author of a major publication on the portrayal of coma in film and its potential effect on the viewing public.

The Steam Revolution

Author: Armida de la Garza
Publisher: Springer
ISBN: 3319898183
Size: 41.56 MB
Format: PDF
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This volume is dedicated to collaborative research across STEM disciplines, the arts and humanities. It includes six sections, framed from a global perspective and exhibits contributions from key experts in the field, emerging scholarly voices, and STEAM practitioners. The added value of STEAM projects in research is highlighted in the first section of this book. Ranging from the spatial, medical and environmental humanities to heritage science, this section discusses the course and paths STEAM projects may evolve to in the near future. The second section features reflective essays by scientists and artists on the development of their research, their professional growth and personal learning experiences that the art/science collaborations have afforded their work and careers. Sections III and IV provides practical guidance and advice on facilitating STEAM teams and describe successful collaborative projects. By presenting the objectives and outcomes of relevant research, the chapters in these sections discuss the various steps taken by different teams to achieve project fruition. Paying particular attention to barriers inhibiting STEAM collaboration, these sections also explore the ways in which research teams were able to work effectively. The fifth section presents a review of policy issues and the potential impacts of STEAM research for administrators, funders and policy makers. In its pursuit for balance and inclusion, the volume concludes with a critical reflection on STEAM that argues a different perspective and will prove food for thought to readers.

Cognitive Disability Aesthetics

Author: Benjamin Fraser
Publisher: University of Toronto Press
ISBN: 1487502338
Size: 60.90 MB
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Cognitive Disability Aesthetics explores the invisibility of cognitive disability in theoretical, historical, social, and cultural contexts. Benjamin Fraser's cutting edge research and analysis signals a second-wave in disability studies that prioritizes cognition. Fraser expands upon previous research into physical disability representations and focuses on those disabilities that tend to be least visible in society (autism, Down syndrome, Alzheimer's disease, schizophrenia). Moving beyond established literary approaches analyzing prose representations of disability, the book explores how iconic and indexical modes of signification operate in visual texts. Taking on cognitive disability representations in a range of visual media (painting, cinema, and graphic novels), Fraser showcases the value of returning to impairment discourse. Cognitive Disability Aesthetics successfully reconfigures disability studies in the humanities and exposes the chasm that exists between Anglophone disability studies and disability studies in the Hispanic world.

Film Art And The Third Culture

Author: Murray Smith
Publisher: Oxford University Press
ISBN: 0192507923
Size: 73.87 MB
Format: PDF, Docs
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In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.