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Self Representation And Digital Culture

Author: Nancy Thumim
Publisher: Palgrave Macmillan
ISBN: 0230229662
Size: 42.99 MB
Format: PDF, ePub
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Taking a close look at ordinary people "telling their own story", Nancy Thumim explores self-representations in contemporary digital culture in settings as diverse as reality TV, online storytelling, and oral histories displayed in museums.

Postfeminist Digital Cultures

Author: Amy Shields Dobson
Publisher: Springer
ISBN: 1137404205
Size: 63.44 MB
Format: PDF
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This book explores the controversial social media practices engaged in by girls and young women, including sexual self-representations on social network sites, sexting, and self-harm vlogs. Informed by feminist media and cultural studies, Dobson delves beyond alarmist accounts to ask what it is we really fear about these practices.

The Photographic Image In Digital Culture

Author: Martin Lister
Publisher: Routledge
ISBN: 113616264X
Size: 60.10 MB
Format: PDF
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What does a new technology of images mean for the ways in which we encounter and use images in everyday life: in advertising, entertainment, news, evidence? And within our domestic and private worlds for our sense of self and indentity; our view of the body and our sexuality? The Photographic Image in Digital Culture explores the technological transformation of the image and its implications for photography. Contributors investigate such issues as the relationship of technological change to visual culture; the new discourses of `techno-culture'; medicine's new vision of the body, and interactive pornography. They also examine the cultural meanings of new surveillance images; shifts in the domestic consumption of images and their relationship to memory, history and biography; the social uses of video and computer games and the changing role of photography as document and as art.

Cinematic Perspectives On Digital Culture

Author: Norman Taylor
Publisher: Springer
ISBN: 1137284625
Size: 27.30 MB
Format: PDF
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Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.

Digital Storytelling Mediatized Stories

Author: Knut Lundby
Publisher: Peter Lang
ISBN: 9781433102738
Size: 24.77 MB
Format: PDF
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Recent years have seen amateur personal stories, focusing on «me», flourish on social networking sites and in digital storytelling workshops. The resulting digital stories could be called «mediatized stories». This book deals with these self-representational stories, aiming to understand the transformations in the age-old practice of storytelling that have become possible with the new, digital media. Its approach is interdisciplinary, exploring how the mediation or mediatization processes of digital storytelling can be grasped and offering a sociological perspective of media studies and a socio-cultural take of the educational sciences. Aesthetic and literary perspectives on narration as well as questioning from an informatics perspective are also included.

Gender And Relatability In Digital Culture

Author: Akane Kanai
Publisher: Springer
ISBN: 3319915150
Size: 35.30 MB
Format: PDF, ePub
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This book explores the practices and the politics of relatable femininity in intimate digital social spaces. Examining a GIF-based digital culture on Tumblr, the author considers how young women produce relatability through humorous, generalisable representations of embarrassment, frustration, and resilience in everyday situations. Relatability is examined as an affective relation that offers the feeling of sameness and female friendship amongst young women. However, this relation is based on young women’s ability to competently negotiate the ‘feeling rules’ that govern youthful femininity. Such classed and racialised feeling rules require young women to perfect the performance of normalcy: they must mix self-deprecation with positivity; they must be relatably flawed but not actual ‘failures’. Situated in debates about postfeminism, self-representation and digital identity, this book connects understandings of digital visual culture to gender, race, and class, and neoliberal imperatives to perform the ‘right feelings’. Gender and Relatability in Digital Culture will be of interest to students and scholars across a range of disciplines including gender studies, cultural studies, sociology, and media studies.

Revitalising Audience Research

Author: Frauke Zeller
Publisher: Routledge
ISBN: 1317649451
Size: 10.47 MB
Format: PDF, Docs
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The revitalisation of audience studies is not only about new approaches and methods; it entails a crossing of disciplines and a bridging of long-established boundaries in the field. The aim of this volume is to capture the boundary-crossing processes that have begun to emerge across the discipline in the form of innovative, interdisciplinary interventions in the audience research agenda. Contributions to this volume seek to further this process though innovative, audience-oriented perspectives that firmly anchor media engagement within the diversity of contexts and purposes to which people incorporate media in their daily lives, in ways often unanticipated by industries and professionals.

Digital Cultures And The Politics Of Emotion

Author: Athina Karatzogianni
Publisher: Springer
ISBN: 0230391346
Size: 62.17 MB
Format: PDF
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Fifteen thought-provoking essays engage in an innovative dialogue between cultural studies of affect, feelings and emotions, and digital cultures, new media and technology. The volume provides a fascinating dialogue that cuts across disciplines, media platforms and geographic and linguistic boundaries.

Digital Futures For Cultural And Media Studies

Author: John Hartley
Publisher: John Wiley & Sons
ISBN: 0470671017
Size: 62.76 MB
Format: PDF
View: 2169
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An ambitious rendering of the digital future from a pioneer of media and cultural studies, a wise and witty take on a changing field, and our orientation to it Investigates the uses of multimedia by creative and productive citizen-consumers to provide new theories of communication that accommodate social media, participatory action, and user-creativity Leads the way for new interdisciplinary engagement with systems thinking, complexity and evolutionary sciences, and the convergence of cultural and economic values Analyzes the historical uses of multimedia from print, through broadcasting to the internet Combines conceptual innovation with historical erudition to present a high-level synthesis of ideas and detailed analysis of emergent forms and practices Features an international focus and global reach to provide a basis for students and researchers seeking broader perspectives