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The Man Without Qualities

Author: Robert Musil
Publisher: Vintage
ISBN: 9780679767879
Size: 77.29 MB
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Set in Vienna on the eve of World War I, this great novel of ideas tells the story of Ulrich, ex-soldier and scientist, seducer and skeptic, who finds himself drafted into the grandiose plans for the 70th jubilee of the Emperor Franz Josef. This new translation--published in two elegant volumes--is the first to present Musil's complete text, including material that remained unpublished during his lifetime.

The Interrelation Of Phenomenology Social Sciences And The Arts

Author: Michael Barber
Publisher: Springer Science & Business Media
ISBN: 3319013904
Size: 79.58 MB
Format: PDF
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This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor—artist or interpreter—and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts. ​

God Being Nothing

Author: Ray L. Hart
Publisher: University of Chicago Press
ISBN: 022635976X
Size: 60.93 MB
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In this long-awaited work, Ray L. Hart offers a radical speculative theology that profoundly challenges classical understandings of the divine. God Being Nothing contests the conclusions of numerous orthodoxies through a probing question: How can thinking of God reach closure when the subjects of creation are themselves unfinished, when God’s self-revelation in history is ongoing, when the active manifestation of God is still occurring? Drawing on a lifetime of reading in philosophy and religious thought, Hart unfolds a vision of God perpetually in process: an unfinished God being self-created from nothingness. Breaking away from the traditional focus on divine persons, Hart reimagines the Trinity in terms of theogony, cosmogony, and anthropogony in order to reveal an ever-emerging Godhead who encompasses all of temporal creation and, within it, human existence. The book’s ultimate implication is that Being and Nonbeing mutually participate in an ongoing process of divine coming-to-birth and dying that implicates all things, existent and nonexistent, temporal and eternal. God’s continual generation from nothing manifests the full actualization of freedom: the freedom to create ex nihilo.

The Mana Of Mass Society

Author: William Mazzarella
Publisher: University of Chicago Press
ISBN: 022643639X
Size: 51.12 MB
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We often invoke the “magic” of mass media to describe seductive advertising or charismatic politicians. In The Mana of Mass Society, William Mazzarella asks what happens to social theory if we take that idea seriously. How would it change our understanding of publicity, propaganda, love, and power? Mazzarella reconsiders the concept of “mana,” which served in early anthropology as a troubled bridge between “primitive” ritual and the fascination of mass media. Thinking about mana, Mazzarella shows, means rethinking some of our most fundamental questions: What powers authority? What in us responds to it? Is the mana that animates an Aboriginal ritual the same as the mana that energizes a revolutionary crowd, a consumer public, or an art encounter? At the intersection of anthropology and critical theory, The Mana of Mass Society brings recent conversations around affect, sovereignty, and emergence into creative contact with classic debates on religion, charisma, ideology, and aesthetics.