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Tom S Guti Rrez Alea

Author: Paul A. Schroeder
Publisher: Psychology Press
ISBN: 9780415936644
Size: 78.94 MB
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Not only are these considered his best films, but each is also symptomatic of an identifiable period in revolutionary Cuba - the period of triumph and affirmation in the 1960s, the period of consolidation and institutionalization in the 1970s, and the period of crisis since the fall of the Berlin Wall. Alea's Cuba, as seen through his films, is a complex reality that does not fit easily within the neat binarisms of the cold war, or the Manicheanism that has plagued discussions about the Revolution. Rather, it is a collective project full of contradictions, a process that has been, successively, progressive and reactionary, machista and feminist, dogmatic and tolerant, heroic and tragic.

Tom S Guti Rrez Alea

Author: Paul A. Schroeder
Publisher: Psychology Press
ISBN: 9780415936644
Size: 23.58 MB
Format: PDF, ePub
View: 4353
Download and Read
Not only are these considered his best films, but each is also symptomatic of an identifiable period in revolutionary Cuba - the period of triumph and affirmation in the 1960s, the period of consolidation and institutionalization in the 1970s, and the period of crisis since the fall of the Berlin Wall. Alea's Cuba, as seen through his films, is a complex reality that does not fit easily within the neat binarisms of the cold war, or the Manicheanism that has plagued discussions about the Revolution. Rather, it is a collective project full of contradictions, a process that has been, successively, progressive and reactionary, machista and feminist, dogmatic and tolerant, heroic and tragic.

Global Art Cinema

Author: Rosalind Galt
Publisher: Oxford University Press
ISBN: 9780199726295
Size: 42.95 MB
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"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies.