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Understanding Show Don T Tell And Really Getting It

Author: Janice Hardy
Publisher: Fiction University Press
ISBN: 9780991536436
Size: 60.72 MB
Format: PDF, ePub, Mobi
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This book looks at what affects told prose and when telling is the right thing to do. It also explores aspects of writing that aren't technically telling, but are connected to told prose and can make prose feel told, such as infodumps, description, and backstory.

Show Don T Tell

Author: Paul Ruditis
Publisher: Simon and Schuster
ISBN: 141695905X
Size: 42.44 MB
Format: PDF
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Bryan Stark agrees to take part in the Renaissance Faire that arrives in Malibu, but is afraid that his secret has been discovered.

Show Don T Tell

Author: William Noble
Publisher: The Write Thought, Inc
ISBN: 0981890857
Size: 13.11 MB
Format: PDF, ePub
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If one hears one thing from every single writing instructor it’s, “Show, don’t tell.” “Don’t tell us he’s afraid of losing her, show us!” “Don’t tell us it’s a richly decorated room, show us!” “Don’t tell us the Russian tundra is cold, show us!” Easier said than done, and no one ever wrote a book on how to do it, that is until William Noble wrote this classic work a decade ago. From the use of dialogue to employing melodrama to developing incidents and anecdotes, Show Don’t Tell explains how to entertain your readers instead of lecturing to them. Written in Noble’s absorbing voice, Show Don’t Tell illustrates how to develop a dramatic framework using similes and metaphors, a focused point of view, steady pacing, increasing tension, and an appeal to the senses to create solid dramatic impact. In other words, how to show, not tell! Perfect for novelists, short story writers, and those interested in writing creative nonfiction.

What You Don T Know Can Keep You Out Of College

Author: Don Dunbar
Publisher: Penguin
ISBN: 9781440623592
Size: 47.48 MB
Format: PDF, ePub, Docs
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In the tradition of The Gatekeepers, a veteran counselor provides the missing key to the college admissions door with insider wisdom about how admissions committees think, and the thirteen fatal mistakes that can ruin an application. When Don Dunbar was a college counselor for Phillips Academy, Andover, in the 1980s, he got to sit in on the meetings where the nation’s top colleges decided whether to admit his students. Prep school counselors no longer get this kind of astonishing access, but in those meetings, Don discovered a little-known key to college admissions that still holds true today. Many applicants look alike, based on their grades, test scores, and extracurriculars, so colleges want something more: They want applicants with character. Most of us know what character means, but not in the way that admissions officers define it. Admissions officers have tremendous integrity, and to them, character equals what a student will contribute to his or her community, good or bad, over the next four years. Don explains the concept of character in terms that high school students can understand, using examples from his thirty years of working with kids. He shows readers how to avoid the thirteen fatal character mistakes that even the brightest students make when applying to college and democratizes the admissions process, making his advice available to all students.

Because It Works

Author: Glenda Baker
Publisher: Xlibris Corporation
ISBN: 1465325166
Size: 17.37 MB
Format: PDF, ePub, Docs
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Do you like my story? Did I write my personal essay right? What do you think of my poem? Why is my work being rejected? If youre asking these questions and not getting helpful, constructive answers, try asking the only question that Glenda Baker and the editors of New England Writers Network ask: does it work? Because It Works! is a compilation of over 40 articles and exercises on the elements of writing fiction, personal essays, and poetry. Originally published in NEWN magazine, these articles are designed to help you determine if your writing worksand if it doesnt, how you can make it work. Because it Works! shows you: 8 ways to characterize When not to use description Point of viewsimplified! What to show; what to tell The 10 dialogue commandments How and where to begin How to prop up the sagging middle The 8 awful endings Youll also learn how to critique and be critiqued, the writing process will be demystified, and youll understand that writers block is not a writing problem! www.newnmag.net Ive just read your article on point of view. WOW. Clear, concise, to the point, and in no way confusing . . . this is the best and easiest explanation Ive seen. Arline Chase, author and instructor for Writers Digest School.

Changes

Author: Kofi Quaye
Publisher: Xlibris Corporation
ISBN: 1465330429
Size: 77.43 MB
Format: PDF, ePub
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CHANGES is the story of a family in crisis; it is the story of an immigrant family trying to cope with life in urban America, about the trauma that cross-cultural conflicts bring, the pressure to conform or do your own thing, against the backdrop of todays America. In order to integrate into the mainstream, or for that matter, pursue the American Dream, can an immigrant family maintain their identity, their native lifestyle, in the turbulent ambiance of urban America or do they succumb to its pressures and change their lifestyle altogether? These are the fundamental questions that most immigrants face, and have to deal with. Many succeed; others fail, while a few just hang in there. The main characters are Ebo, the husband and father; Christina, the wife and mother, and Chris and Lisa, two teenage kids, aged sixteen and eighteen. In the face of overwhelming odds, Ebo tries to maintain control of the family, and tries to do it the only way he knows how; the old fashioned way. Along the way, he runs into a few characters that expose him to some of the diversity on the American social, cultural and political landscape.

Everybody Writes

Author: Ann Handley
Publisher: John Wiley & Sons
ISBN: 111890561X
Size: 53.98 MB
Format: PDF, ePub
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Finally a go-to guide to creating and publishing the kind ofcontent that will make your business thrive. Everybody Writes is a go-to guide to attracting andretaining customers through stellar online communication, becausein our content-driven world, every one of us is, in fact, awriter. If you have a web site, you are a publisher. If you are onsocial media, you are in marketing. And that means that we are allrelying on our words to carry our marketing messages. We are allwriters. Yeah, but who cares about writing anymore? In a time-challengedworld dominated by short and snappy, by click-bait headlines andTwitter streams and Instagram feeds and gifs and video and Snapchatand YOLO and LOL and #tbt. . . does the idea of focusing on writingseem pedantic and ordinary? Actually, writing matters more now, not less. Our online wordsare our currency; they tell our customers who we are. Our writing can make us look smart or it can make us lookstupid. It can make us seem fun, or warm, or competent, ortrustworthy. But it can also make us seem humdrum ordiscombobulated or flat-out boring. That means you've got to choose words well, and write witheconomy and the style and honest empathy for your customers. And itmeans you put a new value on an often-overlooked skill in contentmarketing: How to write, and how to tell a true story really,really well. That's true whether you're writing a listicle or thewords on a Slideshare deck or the words you're reading right here,right now... And so being able to communicate well in writing isn't justnice; it's necessity. And it's also the oft-overlooked cornerstoneof nearly all our content marketing. In Everybody Writes, top marketing veteran Ann Handleygives expert guidance and insight into the process and strategy ofcontent creation, production and publishing, with actionable how-toadvice designed to get results. These lessons and rules apply across all of your online assets— like web pages, home page, landing pages, blogs, email,marketing offers, and on Facebook, Twitter, LinkedIn, and othersocial media. Ann deconstructs the strategy and delivers apractical approach to create ridiculously compelling and competentcontent. It's designed to be the go-to guide for anyone creating orpublishing any kind of online content — whether you're a bigbrand or you're small and solo. Sections include: How to write better. (Or, for "adult-onset writers": How tohate writing less.) Easy grammar and usage rules tailored for business in a fun,memorable way. (Enough to keep you looking sharp, but not too muchto overwhelm you.) Giving your audience the gift of your true story, told well.Empathy and humanity and inspiration are key here, so the bookcovers that, too. Best practices for creating credible, trustworthy contentsteeped in some time-honored rules of solid journalism. Becausepublishing content and talking directly to your customers is, atits heart, a privilege. "Things Marketers Write": The fundamentals of 17 specific kindsof content that marketers are often tasked with crafting. Content Tools: The sharpest tools you need to get the jobdone. Traditional marketing techniques are no longer enough.Everybody Writes is a field guide for the smartestbusinesses who know that great content is the key to thriving inthis digital world.

Good In A Room

Author: Stephanie Palmer
Publisher: Crown Business
ISBN: 9780385525282
Size: 14.77 MB
Format: PDF, ePub
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Whether you work in Hollywood or not, the fact is that selling ideas is really difficult to do. The reason the pitching secrets of the most successful writers and directors are relevant is because these people have evolved an advanced method for selling ideas. Whether you’re a screenwriter, a journalist with an idea for a story, an entrepreneur with a business plan, an inventor with a blueprint, or a manager with an innovative solution, if you want other people to invest their time, energy, and money in your idea, you face an uphill battle…. When I was at MGM, the hardest part of my job was not cutthroat studio politics or grueling production schedules. The toughest part of my job was whenever I had to say “No” to an idea that was almost there. I had to say no a lot. Every buyer does. The buyer’s work is to say yes to projects that are ready, not almost ready. And no matter how good the script is, if the seller can’t pitch it in a compelling way, how can the buyer see the potential? How can he get his colleagues on board? How can he recommend the seller to his superiors? The fact is that poor pitches doom good projects. It happens all the time. The ideas, products and services that are pitched more effectively… win. That’s just how the game is played. No sense getting upset over it. Instead, let’s accept the challenge and learn the strategies and tactics that will allow us (and our ideas) to succeed. -From GOOD IN A ROOM Business consultant and former MGM Director of Creative Affairs Stephanie Palmer reveals the techniques used by Hollywood’s top writers, producers, and directors to get financing for their projects - and explains how you can apply these techniques to be more successful in your own high-stakes meetings. Because, as Palmer has found, the strategies used to sell yourself and your ideas in Hollywood not only work in other businesses, they often work better. Whether you are a manager or executive with an innovative proposal, a professional with a hot concept, a salesperson selling to a potential client or investor, or an entrepreneur with a business plan, GOOD IN A ROOM shows you how to: Master the five stages of the face-to-face meeting Avoid the secret dealbreakers of the first ninety seconds Be confident in high-pressure situations Present yourself better and more effectively than you ever have before Whether you want to ask for a raise, grow your client list, launch a new business or find financing for a creative project, you must not only present your ideas in a compelling way - you must also sell yourself, as well. GOOD IN A ROOM shows you how to construct a winning presentation and deliver the kind of performance that will get your project greenlighted, whatever industry you are in.

Understanding Yourself And Others

Author: Linda V. Berens
Publisher: Telos Publications
ISBN: 9780971214408
Size: 60.69 MB
Format: PDF
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Understanding Yourself and Others An Introduction to Interaction Styles reveals the four fundamental interaction style patterns for you to "try on" in your search for understanding yourself and others. Within these patterns are clues to the "how" of our behaviors. Find out how you consistently seem to fall into certain roles in your interactions with others and how you can shift your energies to take on other roles when necessary.