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Women In Asian Performance

Author: Arya Madhavan
Publisher: Routledge
ISBN: 1317422236
Size: 18.39 MB
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Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.

Impersonations

Author: Harshita Mruthinti Kamath
Publisher: University of California Press
ISBN: 0520301668
Size: 36.10 MB
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At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.

Women And Puppetry

Author: Alissa Mello
Publisher: Routledge
ISBN: 1351848798
Size: 29.27 MB
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Women and Puppetry is the first publication dedicated to the study of women in the field of puppetry arts. It includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of "woman" on and off stage. Part I, "Critical Perspective," includes historical and contemporary analyses of women’s roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II, "Local Contexts: Challenges and Transformations," investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. Each chapter in Part II offers brief accounts of specific social histories, barriers, and gender biases that women have faced, and the opportunities afforded female creative leaders to appropriate, revive, and transform performance traditions. And in Part III, "Women Practitioners Speak," contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre. Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in this unique art form.

Feminist Visions And Queer Futures In Postcolonial Drama

Author: Kanika Batra
Publisher: Routledge
ISBN: 1136887547
Size: 10.33 MB
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In this timely study, Batra examines contemporary drama from India, Jamaica, and Nigeria in conjunction with feminist and incipient queer movements in these countries. Postcolonial drama, Batra contends, furthers the struggle for gender justice in both these movements by contesting the idea of the heterosexual, middle class, wage-earning male as the model citizen and by suggesting alternative conceptions of citizenship premised on working-class sexual identities. Further, Batra considers the possibility of Indian, Jamaican, and Nigerian drama generating a discourse on a rights-bearing conception of citizenship that derives from representations of non-biological, non-generational forms of kinship. Her study is one of the first to examine the ways in which postcolonial dramatists are creating the possibility of a dialogue between cultural activism, women’s movements, and an emerging discourse on queer sexualities.

Choreographing Asian America

Author: Yutian Wong
Publisher: Wesleyan University Press
ISBN: 0819571083
Size: 32.62 MB
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Poised at the intersection of Asian American studies and dance studies, Choreographing Asian America is the first book-length examination of the role of Orientalist discourse in shaping Asian Americanist entanglements with U.S. modern dance history. Moving beyond the acknowledgement that modern dance has its roots in Orientalist appropriation, Yutian Wong considers the effect that invisible Orientalism has on the reception of work by Asian American choreographers and the conceptualization of Asian American performance as a category. Drawing on ethnographic and choreographic research methods, the author follows the work of Club O’ Noodles—a Vietnamese American performance ensemble—to understand how Asian American artists respond to competing narratives of representation, aesthetics, and social activism that often frame the production of Asian American performance.

Gender Politics In Asia

Author: Wil Lundström-Burghoorn
Publisher: NIAS Press
ISBN: 8776940152
Size: 57.70 MB
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Summary: "This book demonstrates the great diversity in gender politics and womenʼs strategies to negotiate and change gender relations individually or collectively. It examines cultural complexities of gender by focusing on gender politics in Asia, with case studis from China, Japan, Singapore, the Philippines, Thailand and Malaysia. It examines multiple aspects of gender politics (dress, healing, religious ordination, NGO activism, etc.), bringing to bear interdisciplinary approaches of inquiry based on in-depth empirical data."--Publisher description.

Performance Popular Culture And Piety In Muslim Southeast Asia

Author: T. Daniels
Publisher: Springer
ISBN: 1137318392
Size: 72.79 MB
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The Muslim-majority nations of Malaysia and Indonesia are known for their extraordinary arts and Islamic revival movements. This collection provides an extensive view of dance, music, television series, and film in rural, urban, and mass-mediated contexts and how pious Islamic discourses are encoded and embodied in these public cultural forms.

Modern Asian Theatre And Performance 1900 2000

Author: Kevin J. Wetmore, Jr.
Publisher: A&C Black
ISBN: 140817720X
Size: 40.12 MB
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Modern Asian Theatre and Performance 1900 � 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides: ·a historical overview of the culture; ·an outline of theatre history; ·a survey of significant playwrights, actors, directors, companies, plays and productions. With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.

Popular Political Theatre And Performance

Author: Julie Salverson
Publisher:
ISBN: 9780887548918
Size: 69.33 MB
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"The work explored by the authors in this volume is courageous, flawed, hopeful, pragmatic and above all available: to what David Diamond calls a `piercing through, going over, under, around the culture of monologue that surrounds us'... to `the poetry in the speech of ordinary people' (Brookes). All of those individuals writing or represented in this volume---all of us drawn to this work---'have clearly put our hands to the wheel."---From the Introduction by Julie Salverson Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada